Home / Albums / The Middle Ages 562
- Anglo-Saxon dress
A somewhat remarkable feature of Anglo-Saxon dress of the eighth century was the long super-tunic with long sleeves, worn in travelling or during cold weather. The sleeves not only cover the hands, but reach considerably below the tips of the fingers. - Damsel of the Court of Catherine de Medicis
Costumes of the Ladies and Damsels of the Court of Catherine de Medicis.--After Cesare Vecellio. - Costume of a rich Bourgeoise, and of a Noble, or Person of Distinction
A rich Bourgeoise, and of a Noble, or Person of Distinction, of the Time of Francis I.--From a Window in the Church of St. Ouen at Rouen, by Gaignières (National Library of Paris). - Chief of Sbirri
Chief of Sbirri - Chief of Sbirri
Chief of Sbirri - Tournaments
Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris). - Sandal and Buskin
Sandal and Buskin of Charlemagne.--From the Abbey of St. Denis. - Free judges
Free Judges From two Woodcuts in the "Cosmographie Universelle" of Munster: in folio, 1552. - Procession to meet the pope
The Jewish Procession going to meet the Pope at the Council of Constance, in 1417.--After a Miniature in the Manuscript Chronicle of Ulrie de Reichental, in the Library of the Mansion-house of Basle, in Switzerland. - Louis XVI
Louis XVI, Marie Antoinette, and the Dauphin - The Cat
The use of the regular mine for effecting a breach in the wall of a fortified place was well known, and often brought to bear. The miners began their work at some distance, and drove a shaft underground towards the part of the fortifications which seemed most assailable; they excavated beneath the foundations of the wall, supporting the substructure with wooden props until they had finished their work. Then they set fire to the props, and retired to see the unsupported weight of the wall bringing it down in a heap of ruins. The operation of mining was usually effected under the protection of a temporary pent-house, called a cat or sow. - Dns. Rogerus, Capellanus
Rogerus, chaplain of the chapel of the Earl of Warwick, at Flamsted. Over a scarlet gown, is a pink cloak lined with blue; the hood is scarlet, of the same suit as the gown; the buttons at the shoulder of the cloak are white, the shoes red. - Costumes of Thriteenth Century
Tristan and the beautiful Yseult.--From a Miniature in the Romance of "Tristan," Manuscript of the Fourteenth Century - Bookcases in the library of the University of Leiden
Another device for combining desk with shelf is to be seen at Trinity Hall, Cambridge, and, as these cases were set up after 1626, we have here a curious instance of a deliberate return to ancient forms. There is evidence that there once existed below the shelf a second desk, which could be drawn in and out as required, so that a reader could stand or sit as he pleased, as you will see from the next illustration. The University of Leiden in Holland adopted a modification of this design, for there the shelf is above the desk, and readers could only stand to use the books - Knights Justing
We may say here that it was not unusual for people in fine weather to pitch a tent in the courtyard or garden of the castle, and live there instead of indoors, or to go a-field and pitch a little camp in some pleasant place, and spend the time in justing and feasting, and mirth and minstrelsy. - Paris 1607
Perspective View of Paris in 1607.--Fac-simile of a Copper-plate by Léonard Gaultier. (Collection of M. Guénebault, Paris.) - Lydgate’s Pilgrim
Sometimes a little below the lower knob there is a hook, or a staple, to which we occasionally find a water-bottle or a small bundle attached. The hook is seen on the staff of Lydgate’s pilgrim. - La Gaillard
-The Dance called "La Gaillarde."--Fac-simile of Wood Engravings from the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588). - Italian Kitchen
Interior of Italian Kitchen. From the Book on Cookery of Christoforo di Messisburgo, "Banchetti compositioni di Vivende," 4to., Ferrara, 1549. It was only in the course of the sixteenth century that the name of potage ceased to be applied to stews, whose number equalled their variety, for on a bill of fare of a banquet of that period we find more than fifty different sorts of potages mentioned. - Exhibitor of strange animals
The Exhibitor of strange Animals From Twelfth Century Manuscript, Royal Library of Brussels. - Miracle
- Costume of Emperors at their Coronation
Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work entitled "Insignia Sacre Majistatis Cæsarum Principum." Frankfort, 1579, in folio. - Ship and Galley
The accompanying drawing is perhaps one of the clearest and best contemporary illustrations we have of these mediæval galleys. It will be seen that it consists of a long low open boat, with outrigger galleries for the rowers, while the hold is left[free for merchandise, or, as in the present instance, for men-at-arms. It has a forecastle like an ordinary ship; the shields of the men-at-arms who occupy it are hung over the bulwarks; the commander stands at the stern under a pent-house covered with tapestry, bearing his shield, and holding his leader’s truncheon. A close examination of the drawing seems to show that there are two men to each oar; we know from other sources that several men were sometimes put to each oar. The difference in costume between the soldiers and the sailors is conspicuous. The former are men-at-arms in full armour—one on the forecastle is very distinctly shown; the sailors are entirely unarmed, except the man at the stroke-oar, probably an officer, who wears an ordinary hat of the period, the rest wear the hood drawn over the head. The ship in the same illustration is an ordinary ship of burden, filled with knights and men-at-arms; the trumpeters at the stern indicate that the commander of the fleet is on board this ship; he will be seen amidships, with his visor raised and his face towards the spectator, with shield on arm and truncheon in hand. - Rectory House, West Deane, Sussex
The humble life of the country rectors and vicars. There is an ancient rectory house of the fourteenth century at West Deane, Sussex, of which we give a ground-plan and north-east view on the following page; but the rectory belonged to the prior and convent of Benedictine Monks of Wilmington, and this house was probably their grange, or cell, and may have been inhabited by two of their monks, or by their tenant, and not by the parish priest. - Jews burnt alive
The Jews of Cologne burnt alive From a Woodcut in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493. In 1370, the people of Brussels were startled in consequence of the statements of a Jewess, who accused her co-religionists of having made her carry a pyx full of stolen hosts to the Jews of Cologne, for the purpose of submitting them to the most horrible profanations. The woman added, that the Jews having pierced these hosts with sticks and knives, such a quantity of blood poured from them that the culprits were struck with terror, and concealed themselves in their quarter. The Jews were all imprisoned, tortured, and burnt alive. In order to perpetuate the memory of the miracle of the bleeding hosts, an annual procession took place, which was the origin of the great kermesse, or annual fair. - Termination of the Combat
When many combatants fought on each side, it was called a tournament. Such sports were sometimes played in gorgeous costumes, but with weapons of lath, to make a spectacle in honour of a festal occasion. Sometimes the tournament was with bated weapons, but was a serious trial of skill and strength. And sometimes the tournament was even a mimic battle, and then usually between the adherents of hostile factions which sought thus to gratify their mutual hatreds, or it was a chivalrous incident in a war between two nations. - Punishment by Fire
Punishment by Fire When a criminal had been condemned to be burnt, a stake was erected on the spot specially designed for the execution, and round it a pile was prepared, composed of alternate layers of straw and wood, and rising to about the height of a man. Care was taken to leave a free space round the stake for the victim, and also a passage by which to lead him to it. Having been stripped of his clothes, and dressed in a shirt smeared with sulphur, he had to walk to the centre of the pile through a narrow opening, and was then tightly bound to the stake with ropes and chains. After this, faggots and straw were thrown into the empty space through which he had passed to the stake, until he was entirely covered by them; the pile was then fired on all sides at once - Grand Procession
Grand Procession of the Doge, Venice (Sixteenth Century). - Bishop, Abbot, and Clerk
The woodcut represents the characteristic costume of three orders of religious with whom we have been concerned—a bishop, an abbot, and a clerk. - Roman Soldiers
Costumes of Roman Soldiers - Movable iron cage
Movable Iron Cage.--From a Woodcut in the "Cosmographie Universelle" of Munster, in folio, Basle, 1552. - Italians of the 15th Century
Notary and Sbirro (policeman)--From two Engravings in the Bonnart Collection. - A Sprinkle or Hand-Flail of bronze
From the Museum of Mitau in Courland - Pilgrim in Hair Shirt and Cloak
Pilgrim in Hair Shirt and Cloak - King Clovis
Costume of King Clovis (Sixth Century).--From a Statue on his Tomb, formerly in the Abbey of St. Geneviève. - Saints in the costume of the sixth century
Saints in the costume of the sixth century - State Carriage of the Fourteenth Century
The woodcut shows the style of carriage associated—grotesquely associated, it seems to our eyes—with the armour and costume of the Middle Ages. It might represent Duke Theseus going in state through the streets of Athens, hung with tapestry and cloth of gold, to the solemn deed of arms of Palamon and Arcite. - St. Damasus, Hermit
The best and clearest illustration which we have been able to find of the usual costume in which the hermits are represented, we here give to the reader. It is from the figure of St. Damasus, one of the group in the fine picture of “St. Jerome,” by Cosimo Roselli (who lived from 1439 to 1506), now in the National Gallery. The hermit-saint wears a light-brown frock, and scapular, with no girdle, and, over all, a cloak and hood of the same colour, and his naked feet are protected by wooden clogs. - Young Nobles
Costumes of Young Nobles of the Court of Charles VIII., before and after the Expedition into Italy.--From Miniatures in two Manuscripts of the Period in the National Library of Paris. - A Dominican Friar
Dominic gave to his order the name of Preaching Friars; more commonly they were styled Dominicans, or, from the colour of their habits, Black Friars—their habit consisting of a white tunic, fastened with a white girdle, over that a white scapulary, and over all a black mantle and hood, and shoes; the lay brethren wore a black scapulary. - Cabriolet of the Fourteenth Century
The illustration may represent to us the merry Sir Dinadan driving to the tournament of the Castle of Maidens - St. Bridget, from an old cut in the possession of Earl Spencer
The figure writing is that of St. Bridget of Sweden, who was born in 1302 and died in 1373. From the representation of the Virgin with the infant Christ in her arms we may suppose that the artist intended to show the pious widow writing an account of her visions or revelations, in which she was often favoured with the blessed Virgin’s appearance. The pilgrim’s hat, staff, and scrip may allude to her pilgrimage to Jerusalem, which she was induced to make in consequence of a vision. The letters S. P. Q. R. in a shield, are no doubt intended to denote the place, Rome, where she saw the vision, and where she died. The lion, the arms of Sweden, and the crown at her feet, are most likely intended to denote that she was a princess of the blood royal of that kingdom. The words above the figure of the saint are a brief invocation in the German language, “O Brigita bit Got für uns!” “O Bridget, pray to God for us!” At the foot of the desk at which St. Bridget is writing are the letters M. I. Chrs., an abbreviation probably of Mater Jesu Christi, or if German, Mutter Iesus Christus. - How a mighty Duke fought Earl Richard for his Lady’s sake
The woodcut represents “howe a mighty Duke chalenged Erle Richard for his lady sake, and in justyng slewe the Duke and then the Empresse toke the Erle’s staff and bear from a knight shouldre, and for great love and fauvr she sette it on her shouldre. Then Erle Richard made one of perle and p’cious stones, and offered her that, and she gladly and lovynglee reseaved it.” The picture shows the Duke and Earl in the crisis of the battle. - Doge of Venice
Doge of Venice Costume before the Sixteenth Century. - Battering-ram
In the cut we give a representation of the battering-ram It contains curious contrivances for throwing up scaling-ladders and affixing them to the battlements, from which the inventors of our fire-escapes may have borrowed suggestions; and others for bridging wide moats and rivers with light scaffolding, which could be handled and fixed as easily and quickly as the scaling-ladders. The drawing of the ram only indicates that the machine consists of a heavy square beam of timber, provided, probably, with a metal head, which is suspended by a rope from a tall frame, and worked by manual strength. The cut is especially interesting as an illustration of the style of armour of the latter part of the fifteenth century. It gives the back as well as the front of the figure, and also several varieties of helmet. - Pikeman
Picture represents very clearly the half-armour worn by the pikeman and the weapon from which they took their name. - Julius Cæsar crossing the Rubicon
The picture is a mediæval representation of no less a personage than Julius Cæsar crossing the Rubicon. The foremost figure is Cæsar. He is in a complete suit of plate-armour; over his armour he wears a very curious drapery like a short tabard without sleeves; it is of a yellow brown colour, but of what material it is not possible to determine. - Doge of Venice
Doge of Venice in Ceremonial Costume of the Sixteenth Century. - A Sally across the Drawbridge
The illuminators are never tired of representing battles and sieges; and the general impression which we gather from them is that a mediæval combat must have presented to the lookers-on a confused melée of rushing horses and armoured men in violent action, with a forest of weapons overhead—great swords, and falchions, and axes, and spears, with pennons fluttering aloft here and there in the breeze of the combat.[Pg 376] We almost fancy we can see the dust caused by the prancing horses, and hear the clash of weapons and the hoarse war-cries, and sometimes can almost hear the shriek which bursts from the maddened horse, or the groan of the man who is wounded and helpless under the trampling hoofs. - German Knights
German Knights (Fifteenth Century). from Drawings by Albert Durer. - Labouring Colon (Twelfth Century)
Labouring Colons (Twelfth Century), after a Miniature in a Manuscript of the Ste. Chapelle, of the National Library of Paris. At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer, working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. - Costume of Slaves or Serfs, from the Sixth to the Twelfth Centuries
Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe. - Jeanne de Bourbon
Jeanne de Bourbon, Wife of Charles V From a Statue formerly in the Church of the Célestins, Paris. A fact worthy of remark is, that whilst male attire, through a depravity of taste, had extended to the utmost limit of extravagance, women's dress, on the contrary, owing to a strenuous effort towards a dignified and elegant simplicity, became of such a character that it combined all the most approved fashions of female costume which had been in use in former periods. The statue of Queen Jeanne de Bourbon, wife of Charles V., formerly placed with that of her husband in the Church of the Célestins at Paris, gives the most faithful representation of this charming costume, to which our artists continually have recourse when they wish to depict any poetical scenes of the French Middle Ages - Adam the Cellarer
The Cellarer was in fact the steward of the house; his modern representative is the bursar of a college. He had the care of everything relating to the provision of the food and vessels of the convent. He was exempt from the observance of some of the services in church; he had the use of horses and servants for the fulfilment of his duties, and sometimes he appears to have had separate apartments. The cellarer, as we have said, wore no distinctive dress or badge; but in the Catalogus Benefactorum of St. Alban’s there occurs a portrait of one “Adam Cellarius,” who for his distinguished merit had been buried among the abbots in the chapter-house, and had his name and effigy recorded in the Catalogus; he is holding two keys in one hand and a purse in the other, the symbols of his office; and in his quaint features—so different from those of the dignified abbot whom we have given from the same book—the limner seems to have given us the type of a business-like and not ungenial cellarer. - King Childebert
King Childebert III (Seventh Century).--From a Statue formerly placed in the Refectory of the Abbey of St. Germain-des-Prés. - A Semi-choir of Franciscan Friars
The picture of a semi-choir of Franciscan friars is from a fourteenth-century psalter. The picture is worth careful examination for the costume of the friars—grey frock and cowl, with knotted cord girdle and sandalled feet; some wearing the hood drawn over the head, some leaving it thrown back on the neck and shoulders; one with his hands folded under his sleeves like the Cistercians at p. 17. The precentor may be easily distinguished in the middle stall beating time, with an air of leadership. There is much character in all the faces and attitudes—e.g., in the withered old face on the left, with his cowl pulled over his ears to keep off the draughts, or the one on the precentor’s left, a rather burly friar, evidently singing bass. - Benedictine Monk
In the year 529 a.d., St. Benedict, an Italian of noble birth and great reputation, introduced into his new monastery on Monte Cassino—a hill between Rome and Naples—a new monastic rule. To the three vows of obedience, poverty, and chastity, which formed the foundation of most of the old rules, he added another, that of manual labour (for seven hours a day), not only for self-support, but also as a duty to God and man. - King of the Franks
The King of the Franks, in the midst of the Military Chiefs who formed his Treuste, or armed Court, dictates the Salic Law (Code of the Barbaric Laws). The tariff of indemnities or compensations to be paid for each crime formed the basis of the code of laws amongst the principal tribes of Franks, a code essentially barbarian, and called the Salic law, or law of the Salians. Such, however, was the spirit of inequality among the German races, that it became an established principle for justice to be subservient to the `rank` of individuals. The more powerful a man was, the more he was protected by the law; the lower his `rank`, the less the law protected him. - Gentleman of the French Court
Gentleman of the French Court, of the End of the Sixteenth Century. From the "Livre de Poésies," Manuscript dedicated to Henry IV.