- Entry of Queen Isabel of Bavaria into Paris, a.d. 1389
Our illustration represents Isabel of Bavaria, Queen of Charles VII., making her entry into Paris attended by noble dames and lords of France, on Sunday, 20th of August, in the year of our Lord 1389. There was a great crowd of spectators and the bourgeois of Paris, twelve hundred, all on horseback, were ranged in pairs on each side of the road, and clothed in a livery of gowns of baudekyn green and red. The Queen, seated in her canopied litter, occupies the middle of the picture, in robe and mantle of blue powdered with fleur-de-lis, three noblemen walking on each side in their robes and coronets. - Entry of the Roi de l'Epinette
Entry of the Roi de l'Epinette at Lille in the Sixteenth Century .--From a Manuscript of the Library of Rouen. - Equestrian
- Equestrian performance
- Execution
- Execution of the secret tribunal
- Exhibitor of strange animals
The Exhibitor of strange Animals From Twelfth Century Manuscript, Royal Library of Brussels. - Exterior View of St. Robert’s Chapel, Knaresborough
St. Robert’s Chapel, at Knaresborough, Yorkshire, is a very excellent example of a hermitage. It is hewn out of the rock, at the bottom of a cliff, in the corner of a sequestered dell. The exterior, a view of which is given below, presents us with a simply arched doorway at the bottom of the rough cliff, with an arched window on the left, and a little square opening between, which looks like the little square window of a recluse. Internally we find the cell sculptured into the fashion of a little chapel, with a groined ceiling, the groining shafts and ribs well enough designed, but rather rudely executed. - Facsimile of Leonardo da Vinci's drawings on artificial wings
The examination of the original drawings of the great Italian artist is intersting. We reproduce by heliogravure a complete plate; it makes it possible to follow the thought which presided over its execution. We let Dr. Hureau de Villeneuve interpret it. We see in the second row on the right a small character quite similar to a demon or a genie, for he wears a flame on his head and, next to this flame, a Latin cross. His arms end with the fingers of a bat. The figure is not yet finished when Leonardo already recognizes its insufficiency and, guessing the little muscular action of the arms, thinks of using the force of the legs. So we see a little higher, in the same plank, a vigorous man placed on his stomach, his legs bent and about to launch a violent kick. The protruding muscles, traced by an anatomist's pencil, reveal the great painter in an unassuming drawing. - Father Lana's aerial ship (1670)
Certainly Lana's project is impracticable: the learned Jesuit did not foresee that his empty copper balloons would be crushed by the external atmospheric pressure; but he nevertheless had a very clear idea and very remarkable for his time of the principle of aerial navigation by balloons lighter than the volume of air which they move. He ends his long chapter with some very curious considerations: I do not see any other difficulties that can be opposed to this idea, except one which seems to me more important than all the others, and that God will not allow this invention to be ever successfully applied in practice, in order to prevent the consequences which would result from it for the civil and political government of men. Indeed, who does not see that there is no State which would be insured against a stroke of surprise, because this ship would be heading in a straight line on one of its strongholds, and, landing there, could descend there soldiers. - Feats in balancing
These kings of jugglers exercised a supreme authority over the art of jugglery and over all the members of this jovial fraternity. It must not be imagined that these jugglers merely recited snatches from tales and fables in rhyme; this was the least of their talents. The cleverest of them played all sorts of musical instruments, sung songs, and repeated by heart a multitude of stories, after the example of their reputed forefather, King Borgabed, or Bédabie, who, according to these troubadours, was King of Great Britain at the time that Alexander the Great was King of Macedonia. The jugglers of a lower order especially excelled in tumbling and in tricks of legerdemain. Feats in Balancing.--Fac-simile of a Miniature in a Manuscript in the Bodleian Library at Oxford (Thirteenth Century). - Female Minstrel
There were also female minstrels throughout the Middle Ages; but, as might be anticipated from their irregular wandering life, they bore an indifferent reputation. - Female Pilgrim
We have hitherto spoken of male pilgrims; but it must be borne in mind that women of all ranks were frequently to be found on pilgrimage; and all that has been said of the costume and habits of the one sex applies equally to the other. Here is a cut of a female pilgrim with scrip, staff, and hat. - Feudal Castle of Chateau-Gaillard aux Andelys
Feudal Castle Present State of the Feudal Castle of Chateau-Gaillard aux Andelys, which was considered one of the strongest Castles of France in the Middle Ages, and was rebuilt in the Twelfth Century by Richard Coeur de Lion - Fireworks on the water
Fireworks could not fail to be attractive at the Court of the Valois, to which Catherine de Médicis had introduced the manners and customs of Italy. The French, who up to that time had only been accustomed to the illuminations of St. John's Day and of the first Sunday in Lent, received those fireworks with great enthusiasm, and they soon became a regular part of the programme for public festivals. Fireworks on the Water, with an Imitation of a Naval Combat.--Fac-simile of an Engraving on Copper of the "Pyrotechnie" of Hanzelet le Lorrain: 4to (Pont-à-Mousson, 1630). - Flemish Peasants
- Fool's Cap
Worn by the court fool of an Elector of Mayence (seventeenth century). South Kensington Museum. - Frame
Frame - Free Distribution of bread
Free Distribution of Bread, Meat, and Wine to the People.--Reduced Copy of a Woodcut of the Solemn Entry of Charles V and Pope Clement VII into Bologna, in 1530. In these assemblies, where the King gathered together all his principal vassals once or twice a year, to hold personal communication with them, and to strengthen his power by ensuring their feudal services, large quantities of food and fermented liquors were publicly distributed among the people. The populace were always most enthusiastic spectators of military displays, of court ceremonies, and, above all, of the various amusements which royalty provided for them at great cost in those days: and it was on these state occasions that jugglers, tumblers, and minstrels displayed their talents. - Free judges
Free Judges From two Woodcuts in the "Cosmographie Universelle" of Munster: in folio, 1552. - French National Library
French National Library - From Romance of Alexander, Bib. Nat., Paris, circ. 1240
- From the 'Armourers Album'
- Funeral Service of a Hermit
Funeral Service of a Hermit - Gardener and Woodman
Costumes of the Common People in the Fourteenth Century: Italian Gardener and Woodman.--From two Engravings in the Bonnart Collection. - Gentleman of the French Court
Gentleman of the French Court, of the End of the Sixteenth Century. From the "Livre de Poésies," Manuscript dedicated to Henry IV. - German Beggar
German Beggar Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552. - German Beggar
German Beggar Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552. - German Knights
German Knights (Fifteenth Century). from Drawings by Albert Durer. - German rotte
One of the most interesting stringed instruments of the middle ages is the rotta (German, rotte; English, rote). It was sounded by twanging the strings, and also by the application of the bow. The first method was, of course, the elder one. There can hardly be a doubt that when the bow came into use it was applied to certain popular instruments which previously had been treated like the cithara or the psalterium. - German Soldier
The Germans had brought with them over the Rhine none of the heroic virtues attributed to them by Tacitus when he wrote their history, with the evident intention of making a satire on his countrymen. Amongst the degenerate Romans whom those ferocious Germans had subjugated, civilisation was reconstituted on the ruins of vices common in the early history of a new society by the adoption of a series of loose and dissolute habits, both by the conquerors and the conquered. - Gipsies
Gipsies Fortune-telling.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552. During the fifteen days which they spent at Bologna a number of the people of the town went to see them, and especially to see "the wife of the duke," who, it was said, knew how to foretell future events, and to tell what was to happen to people, what their fortunes would be, the number of their children, if they were good or bad, and many other things - Gipsy encampment
Gipsy Encampment. Copper-plate by Callot. - Goatherds playing Musical Instruments
The shepherds, throughout the Middle Ages, seem to have been as musical as the swains of Theocritus or Virgil; in the MS. illuminations we constantly find them represented playing upon instruments; we give a couple of goatherds from the MS. Royal 2 B vii. folio 83, of early fourteenth-century date. - Goldbeater
Goldbeater - Goldsmith
Goldsmith - Grand Procession
Grand Procession of the Doge, Venice (Sixteenth Century). - Great Châtelet
In 1032, a new magistrate was created, called the Provost of Paris, whose duty it was to give assistance to the bourgeois in arresting persons for debt. This functionary combined in his own person the financial and political chief of the capital, he was also the head of the nobility of the county, he was independent of the governor, and was placed above the bailiffs and seneschals. He was the senior of the urban magistracy and police, leader of the municipal troops, and, in a word, the prefect (præfectus urbis), as he was called under the Emperor Aurelian, or the first magistrate of Lutetia, as he was still called under Clotaire in 663. Assessors were associated with the provost, and together they formed a tribunal, which was afterwards known as the Châtelet, because they assembled in that fortress, the building of which is attributed to Julius Caesar. The Great Châtelet of Paris.--Principal Front opposite the Pont-au-Change.--Fac-simile of an Engraving on Copper by Mérian, in the "Topographia Galliae" of Zeller. - Great Drinkers of the North
The Great Drinkers of the North.--Fac-simile of a Woodcut of the "Histoires des Pays Septentrionaux," by Olaus Magnus, 16mo., Antwerp, 1560. - Group of Cistercian Monks
The cut represents a group of Cistercian monks, from a manuscript in the British Museum. It shows some of them sitting with hands crossed and concealed in their sleeves—an attitude which was considered modest and respectful in the presence of superiors; some with the cowl over the head. It will be observed that some are and some are not bearded. - Group of English Knights and French Men-at-Arms
It represents a sally of the garrison of Nantes on the English, who are besieging it. The man-at-arms who lies prostrate under the horse-hoofs is one of the garrison, who has been pierced by the spear whose truncheon lies on the ground beside him. The unarmed man on the left is one of the English party, in ordinary civil costume, apparently only a spectator of the attack. - Group of Goldsmiths
Group of Goldsmiths preceding the Chasse de St. Marcel in the Reign of Louis XIII.--From a Copper-plate of the Period (Cabinet of Stamps in the National Library of Paris). - Gutenberg
- Hanging to music
Hanging to Music. (A Minstrel condemned to the Gallows obtained permission that one of his companions should accompany him to his execution, and play his favourite instrument on the ladder of the Gallows.)--Fac-simile of a Woodcut in Michault's "Doctrinal du Temps Présent:" small folio, goth., Bruges, about 1490. - Harnischmeister Albrecht, 1480
- Harp, ninth century
In the illustration from the manuscript of the monastery of St. Blasius twelve strings and two sound holes are given to it. A harp similar in form and size, but without the front pillar, was known to the ancient Egyptians. - Harper
The custom of having instrumental music as an accompaniment of dinner is still retained by her Majesty and by some of the greater nobility, by military messes, and at great public dinners. But the musical accompaniment of a mediæval dinner was not confined to instrumental performances. We frequently find a harper introduced, who is doubtless reciting some romance or history, or singing chansons of a lighter character. He is often represented as sitting upon the floor. - Hatter
Three people making hats in the middle ages. One appears to be a child. - Hay Carriers
Hay Carriers - Heart-shaped headdress
There was also the "balloon" or turban. This, like the heart-shaped head-dress, commenced with a flat pad, like a cake, which in its earlier stage was invariably richly ornamented, offering no particular variety in its form; when it became round, it developed a second roll around the forehead, with bands at intervals, which formed its constructive elements. - Henry VIII's Army
Henry VIII's Army - Herald
(Fourteenth Century).--From a Miniature in the "Chroniques de Saint-Denis" (Imperial Library of Paris). - Hildegard receiving the light from Heaven
Hildegard receiving the Light from Heaven (Wiesbaden Codex B, fo. 1 r) - Horn Headdress
The horn-shaped head-dress appears in no pictorial documents or monuments older than the reign of Henry IV. In a volume entitled "Jougleurs et Trouvères," by M. Jubinal, is a satire on horned head-dresses, under the title of "Des Cornetes," from a MS. in the Bibliothèque Royale at Paris, of the beginning of the fourteenth century. In this poem it appears that the Bishop of Paris had preached a sermon directed against extravagance in women's dress, their horns and the bareness of their necks. "If we do not get out of the way of the women we shall be killed; for they carry horns with which to kill men." - Horned Head-dress Beatrice, Countess of Arundel, 1439
- Horse Armour, sixteenth century
- Hotel de ville
The House of Jacques Coeur at Bourges, now converted into the Hôtel de Ville.