- Pilgrim
Pilgrim, from Erasmus’s “Praise of Folly.” The staff, or bourdon, was not of an invariable shape. On a fourteenth-century grave-stone at Haltwhistle, Northumberland, it is like a rather long walking-stick, with a natural knob at the top. In the cut from Erasmus’s “Praise of Folly” ” it is a similar walking-stick; but, usually, it was a long staff, some five, six, or seven feet long, turned in the lathe, with a knob at the top, and another about a foot lower down. - Brass to a merchant
- A Squire
Squires are unarmed, and mature men of rather heavy type, different from the gay and gallant youths whom we are apt to picture to ourselves as the squires of the days of chivalry attendant on noble knights adventurous. - Serf of Tenth Century
Serf or Vassal of Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels). - The Baker
The Baker - The Miller
The Miller - Orphans
-Orphans, Callots, and the Family of the Grand Coesre.--From painted Hangings and Tapestry from the Town of Rheims, executed during the Fifteenth Century. The Grand Coesre levied a tax of twenty-four sous per annum upon the young rogues, who went about the streets pretending to shed tears, as "helpless orphans," in order to excite public sympathy. - The Poulterer
The Poulterer - Nœud Gordien
How to tie the cravat. A. The Cravat folded. B. The Cravat à la Byron. S. The Cravat Sentimentale. "The Cravat Sentimentale." - St Marks Place
View of St. Mark's Place, Venice, Sixteenth Century, after Cesare Vecellio. - State Banquet
State Banquet.--Serving the Peacock.--Fac-simile of a Woodcut in an edition of Virgil, folio, published at Lyons in 1517. - Mens Italian Hat
From Fra Angelico, Florence. - William, Duke of Normandy
William, Duke of Normandy, accompanied by Eustatius, Count of Boulogne, and followed by his Knights in arms.--Military Dress of the Eleventh Century, from Bayeux Tapestry said to have been worked by Queen Matilda. - Kitchen
Interior of a Kitchen.--Fac-simile from a Woodcut in the "Calendarium Romanum" of J. Staéffler, folio, Tubingen, 1518. - Seal of King Chilperic
Seal of King Chilpéric, found in his Tomb at Tournay in 1654. - Kings Huntsman
William Malgeneste, the King's Huntsman, as represented on his Tomb, formerly in the Abbey of Long-Pont. (for Louis IX) - The river Fisherman
The River Fisherman, designed and engraved, in the Sixteenth Century, by J. Amman. - Provosts prison
The Provost's Prison.--Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Civilium." - The Canterbury Ampulla
The chief sign of the Canterbury pilgrimage was an ampul (ampulla, a flask); we are told all about its origin and meaning by Abbot Benedict, who wrote a book on the miracles of St. Thomas. The monks had carefully collected from the pavement the blood of the martyr which had been shed upon it, and preserved it as one of the precious relics. - Ship of Richard Earl of Warwick
This engraving of the latter part of the fourteenth century, gives a very clear representation of a ship and its boat. The earl is setting out on his pilgrimage to the Holy Land. In the foreground we see him with his pilgrim’s staff in hand, stepping into the boat which is to carry him to his ship lying at anchor in the harbour. The costume of the sailors is illustrated by the men in the boat. The vessel is a ship of burden, but such a one as kings and great personages had equipped for their own uses; resembling an ordinary merchant-ship in all essentials, but fitted and furnished with more than usual convenience and sumptuousness. - Passengers paying Toll
The annexed woodcut represents passengers paying toll on landing at a foreign port. The reader will notice the picturesque custom-house officers, the landing-places, and the indications of town architecture. - Laindon Church, Essex
At the west end of Laindon Church, Essex, there is a unique erection of timber, of which we here give a representation. It has been modernised in appearance by the insertion of windows and doors; and there are no architectural details of a character to reveal with certainty its date, but in its mode of construction—the massive timbers being placed close together—and in its general appearance, there is an air of considerable antiquity. It is improbable that a house would be erected in such a situation after the Reformation, and it accords generally with the descriptions of a recluse house. - ‘... thrust him out of the church’
- Ladies of Nobility
Costumes of the Ladies of the Nobility in the Ninth Century, from a Miniature in the Bible of Charles the Bold (National Library of Paris). - The Drille
Lastly, we must mention the drilles, the narquois, or the people of the petite flambe, who for the most part were old pensioners, and who begged in the streets from house to house, with their swords at their sides. These, who at times lived a racketing and luxurious life, at last rebelled against the Grand Coesre, and would no longer be reckoned among his subjects--a step which gave a considerable shock to the Argotic monarchy. - Prelate
Costume of the Prelates from the Eighth to the Tenth Centuries--After Miniatures in the "Missal of St. Gregory," in the National Library of Paris. - Robert Braunche,of Lynn
Robert Braunche,of Lynn - Spur maker
Spur Maker - Apron
- The Pond Fisherman
The Pond Fisherman.--Fac-simile of a Woodcut of the "Cosmographie Universelle" of Munster, folio, Basle, 1549. - Manufacture of Cheese
Manufacture of Cheese - The Bastille
The subterranean cells of the Bastille did not differ much from those of the Châtelet. There were several, the bottoms of which were formed like a sugar-loaf upside down, thus neither allowing the prisoner to stand up, nor even to adopt a tolerable position sitting or lying down. It was in these that King Louis XI., who seemed to have a partiality for filthy dungeons, placed the two young sons of the Duke de Nemours (beheaded in 1477), ordering, besides, that they should be taken out twice a week and beaten with birch rods, and, as a supreme measure of atrocity, he had one of their teeth extracted every three months. It was Louis XI., too, who, in 1476, ordered the famous iron cage, to be erected in one of the towers of the Bastille, in which Guillaume, Bishop of Verdun, was incarcerated for fourteen years. - Princess
Costume of a Princess dressed in a Cloak lined with Fur.--From a Miniature of the Thirteenth Century. - Jewish Ceremony before the Ark
Jewish Ceremony before the Ark Fac-simile of a woodcut printed at Troyes. - Lady of the Court of Catherine de Medicis
Costumes of the Ladies and Damsels of the Court of Catherine de Medicis. - Prelate
Costume of the Prelates from the Eighth to the Tenth Centuries--After Miniatures in the "Missal of St. Gregory," in the National Library of Paris. - Great Drinkers of the North
The Great Drinkers of the North.--Fac-simile of a Woodcut of the "Histoires des Pays Septentrionaux," by Olaus Magnus, 16mo., Antwerp, 1560. - Standard weight
Standard Weight in Brass of the Fish-market at Mans: Sign of the Syren (End of the Sixteenth Century). - French National Library
French National Library - Ploughmen
From a very ancient Anglo-Saxon Manuscript published by Shaw, with legend "God Spede ye Plough, and send us Korne enow." - King Charlemagne receiving the Oath of Fidelity
King Charlemagne receiving the Oath of Fidelity and Homage from one of his great Feudatories or High Barons Originally, the possession of a benefice or fief meant no more than the privilege of enjoying the profits derived from the land, a concession which made the holder dependent upon the proprietor. He was in fact his "man," to whom he owed homage, service in case of war, and assistance in any suit the proprietor might have before the King's tribunal. - Wool Merchants from Northleach Church
Wool Merchants from Northleach Church - Desk in the library at Zutphen
One example at least of these fittings still exists, in the library attached to the church of S. Wallberg, at Zutphen in Holland. This library was built in its present position in 1555, but I suspect that some of the fittings, those namely which are more richly ornamented, were removed from an earlier library. Each of these desks is 9 feet long by 5 feet 6 inches high; and, as you will see directly, a man can sit and read at them very conveniently. - A Semi-choir of Minoresses
An engraving from a manuscript of a semi-choir of minoresses, which is only a portion of a large church interior. - Supreme Court
Supreme Court, presided over by the King, who is in the act of issuing a Decree which is being registered by the Usher.--Fac-simile of a Miniature in Camareu of the "Information des Rois," Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris. - Measuring salt
Fac-simile of a Woodcut of the "Ordonnances de la Prevosté des Marchands de Paris," in folio: 1500. - William the Conqueror’s Ship
The Bayeux tapestry is probably our earliest trustworthy authority for a British ship, and it gives a considerable number of illustrations of them, intended to represent in one place the numerous fleet which William the Conqueror gathered for the transport of his army across the Channel; in another place the considerable fleet with which Harold hoped to bar the way. The one we have chosen is the duke’s own ship; it displays at its mast-head the banner which the Pope had blessed, and the trumpeter on the high poop is also an evidence that it is the commander’s ship. - Conveyor of fish
Conveyance of Fish by Water and Land.--Fac-simile of an Engraving in the Royal Statutes of the Provostship of Merchants, 1528. - William de Langley
William de Langley, who gave to the monastery a well-built house in Dagnale Street, in the town of St. Alban’s, for which the monastery received sixty shillings per annum, which Geoffrey Stukeley held at the time of writing. William de Langley is a man of regular features, partly bald, with pointed beard and moustache, the kind of face that might so easily have been merely conventional, but which has really much individuality of expression. The house—his benefaction—represented beside him, is a two-storied house; three of the square compartments just under the eaves are seen, by the colouring of the illumination, to be windows; it is timber-built and tiled, and the upper story overhangs the lower. The gable is finished with a weather-vane, which, in the original, is carried beyond the limits of the picture. - Alan Middleton
Clerk in Orders is still the legal description of a clergyman; and men whose occupation is to use the pen are still called clerks, as lawyers’ clerks, merchants’ clerks, &c. Clerks were often employed in secular occupations; for example, Alan Middleton, who was employed by the convent of St. Alban’s to collect their rents, and who is represented in the picture from their “Catalogus Benefactorum” (Nero D. vii., British Museum), is tonsured, and therefore was a clerk. - Part of a single bookcase in the Library
Part of a single bookcase in the Library showing a book chained to the bookcase - Whale Fishing
Whale-Fishing. Fac-simile of a Woodcut in the "Cosmographie Universelle" of Thevet, in folio: Paris, 1574. - St. Christopher, with the date 1423, from a cut in the possession of Earl Spencer
This cut is much better designed than the generality of those which we find in books typographically executed from 1462, the date of the Bamberg Fables, to 1493, when the often-cited Nuremberg Chronicle was printed. Amongst the many coarse cuts which “illustrate” the latter, and which are announced in the book itselfII.11 as having been “got up” under the superintendence of Michael Wolgemuth, Albert Durer’s master, and William Pleydenwurff, both “most skilful in the art of painting,” I cannot find a single subject which either for spirit or feeling can be compared to the St. Christopher. In fact, the figure of the saint, and that of the youthful Christ whom he bears on his shoulders, are, with the exception of the extremities, designed in such a style, that they would scarcely discredit Albert Durer himself. To the left of the engraving the artist has introduced, with a noble disregard of perspective what Bewick would have called a “bit of Nature.” In the foreground a figure is seen driving an ass loaded with 48a sack towards a water-mill; while by a steep path a figure, perhaps intended for the miller, is seen carrying a full sack from the back-door of the mill towards a cottage. To the right is seen a hermit—known by the bell over the entrance of his dwelling—holding a large lantern to direct St. Christopher as he crosses the stream. The two verses at the foot of the cut, Cristofori faciem die quacunque tueris, Illa nempe die morte mala non morieris, may be translated as follows: Each day that thou the likeness of St. Christopher shalt see, That day no frightful form of death shall make an end of thee. - Heart-shaped headdress
There was also the "balloon" or turban. This, like the heart-shaped head-dress, commenced with a flat pad, like a cake, which in its earlier stage was invariably richly ornamented, offering no particular variety in its form; when it became round, it developed a second roll around the forehead, with bands at intervals, which formed its constructive elements. - Member of Brotherhood of death
Member of the Brotherhood of Death, whose duty it was to accompany those sentenced to death - Principle of the parachute, drawing by Leonardo da Vinci
If Leonardo da Vinci's aerial flight experiments do not seem to have been carried out on a large scale, it is perhaps not the same with the parachute, the use of which is much safer. The description of Leonardo da Vinci was reproduced later, not without a notable improvement in the mode of representation of the apparatus, in a collection of machines, due to Fauste Veranzio and published in Venice in 1617. - Principle of the helicopter, drawing by Leonardo da Vinci
Principle of the helicopter, drawing by Leonardo da Vinci - Public Execution
Originally, decapitation was indiscriminately inflicted on all criminals condemned to death; at a later period, however, it became the particular privilege of the nobility, who submitted to it without any feeling of degradation. The victim--unless the sentence prescribed that he should be blindfolded as an ignominious aggravation of the penalty--was allowed to choose whether he would have his eyes covered or not. He knelt down on the scaffold, placed his head on the block, and gave himself up to the executioner. The skill of the executioner was generally such that the head was almost invariably severed from the body at the first blow. Nevertheless, skill and practice at times failed, for cases are on record where as many as eleven blows were dealt, and at times it happened that the sword broke. Public Executions.--Fac-simile of a Woodcut in the Latin Work of J. Millaeus, "Praxis Criminis Persequendi:" small folio, Parisis, Simon de Colines, 1541.