- ‘When a lion looks at you it becomes a leopard’
- ‘The young Edward III.’
- ‘The tiger and the mirror’
- ‘The broken bough fell on the head of a man standing down below’
- ‘St. Piran’
- ‘latten “Agnus Dei”’
- ‘Henry’s badge’
- ‘He incontinently fled’
- ‘Hakeney’
- ‘Dymoke of Scrivelsby’
- ‘Diabolus ligatus’
- ‘An impromptu entertainment by three minstrels’
- ‘A wonderful sight’
- ‘... with drawn swords stood in the doorway’
- ‘... thrust him out of the church’
- ‘... showed him his injuries’
- ‘... playing innumerable pranks’
- ‘... led through the middle of the city’
- ‘... gyrd abowte his bodye in iij places with towells and gyrdylls’
- ‘... got his arms round a branch’
- ‘... fully armed with swords and bucklers’
- ‘... failed to identify the geese’
- ‘... ducking him in a horse-pond’
- ‘... constructed a pantomime dragon on the pattern of the real article’
- ‘... compellyd them for to devour the same writte’
- ‘... cast her into a cauldron’
- ‘... called secretly at the chamber dore’
- Young Nobles
Costumes of Young Nobles of the Court of Charles VIII., before and after the Expedition into Italy.--From Miniatures in two Manuscripts of the Period in the National Library of Paris. - Wool-sorters at Work
Wool-sorters at Work In 1886 the pastoral wealth of the whole of the Australian colonies consisted of 84,222,272 sheep. At only ten shillings per head, this represents a capital of over forty-two millions sterling, without counting the value of the land. The number of sheep in 1894 was over 99,000,000. - Wool Merchants from Northleach Church
Wool Merchants from Northleach Church - Women of the 14th Century
Women of the 14th Century - Women of Court
Costumes of the Women of the Court from the Sixth to the Tenth Centuries, from Documents collected by H. de Vielcastel, in the great Libraries of Europe. - Woman using leeches
Woman using leeches, 17th century. (From Guillaume van den Bossche, Historica Medica, Brussels, 1639.) - Wire worker
Wire worker - William, Duke of Normandy
William, Duke of Normandy, accompanied by Eustatius, Count of Boulogne, and followed by his Knights in arms.--Military Dress of the Eleventh Century, from Bayeux Tapestry said to have been worked by Queen Matilda. - William the Conqueror’s Ship
The Bayeux tapestry is probably our earliest trustworthy authority for a British ship, and it gives a considerable number of illustrations of them, intended to represent in one place the numerous fleet which William the Conqueror gathered for the transport of his army across the Channel; in another place the considerable fleet with which Harold hoped to bar the way. The one we have chosen is the duke’s own ship; it displays at its mast-head the banner which the Pope had blessed, and the trumpeter on the high poop is also an evidence that it is the commander’s ship. - William de Langley
William de Langley, who gave to the monastery a well-built house in Dagnale Street, in the town of St. Alban’s, for which the monastery received sixty shillings per annum, which Geoffrey Stukeley held at the time of writing. William de Langley is a man of regular features, partly bald, with pointed beard and moustache, the kind of face that might so easily have been merely conventional, but which has really much individuality of expression. The house—his benefaction—represented beside him, is a two-storied house; three of the square compartments just under the eaves are seen, by the colouring of the illumination, to be windows; it is timber-built and tiled, and the upper story overhangs the lower. The gable is finished with a weather-vane, which, in the original, is carried beyond the limits of the picture. - William and Johanna Cheupaign
The donors seem to be chiefly tradespeople rather than merchants of the higher class, and of the latter half of the fourteenth century. Here, for example, are William Cheupaign and his wife Johanna, who gave to the Abbey-church two tenements in the Halliwelle Street. One of the tenements is represented in the picture, a single-storied house of timber, thatched, with a carved stag’s head as a finial to its gable. - Whale Fishing
Whale-Fishing. Fac-simile of a Woodcut in the "Cosmographie Universelle" of Thevet, in folio: Paris, 1574. - Wet Cupping for a headache
Wet cupping for a headache. (From Frederik Dekkers, Exercitationes Practicae Circa Medendi Methodum, Leyden, 1694.) - Water Torture
The Water Torture. Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Criminalium:" in 4to, Antwerp, 1556. In Paris, for a long time, the water torture was in use; this was the most easily borne, and the least dangerous. A person undergoing it was tied to a board which was supported horizontally on two trestles. By means of a horn, acting as a funnel, and whilst his nose was being pinched, so as to force him to swallow, they slowly poured four coquemars (about nine pints) of water into his mouth; this was for the ordinary torture. For the extraordinary, double that quantity was poured in. When the torture was ended, the victim was untied, "and taken to be warmed in the kitchen," says the old text. - Warrior 11th Cenury
In the Additional MS. 11,695, in the British Museum, a work of the eleventh century, there are several representations of warriors thus fully armed, very rude and coarse in drawing, but valuable for the clearness with which they represent the military equipment of the time. At folio 194 there is a large figure of a warrior in a mail shirt, a conical helmet,[Pg 316] strengthened with iron ribs converging to the apex, the front rib extending downwards, into what is called a nasal, i.e., a piece of iron extending downwards over the nose, so as to protect the face from a sword-cut across the upper part of it. - Walter of Hamuntesham attacked by a Mob
They were grateful men, these Benedictines of St. Alban’s; they have immortalised another of their inferior officers, Walterus de Hamuntesham, fidelis minister hujus ecclesiæ, because on one occasion he received a beating at the hands of the rabble of St. Alban’s while standing up for the rights and liberties of the church. - W. D. Hooper’s patent cupping apparatus with tubular blades
W. D. Hooper’s patent cupping apparatus with tubular blades. (From patent specifications, U.S. patent no. 68985.) - Village Feast
Village Feast Notwithstanding the miseries to which they were generally subject, the rural population had their days of rest and amusement, which were then much more numerous than at present. At that period the festivals of the Church were frequent and rigidly kept, and as each of them was the pretext for a forced holiday from manual labour, the peasants thought of nothing, after church, but of amusing themselves; they drank, talked, sang, danced, and, above all, laughed, for the laugh of our forefathers quite rivalled the Homeric laugh, and burst forth with a noisy joviality. - View of Stereotype Foundry
- View of Jerusalem
View of Jerusalem - venae dilatatae
- Vena profunda
- vena cumulata
- Vassal of Tenth Century
Serf or Vassal of Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels). - Varlet and Archer
- Use of the Pavis
The archers of the castle found shelter behind the merlons of the battlements, and had the windows from which they shot screened by movable shutters; as may be seen in the next woodcut of the assault on a castle. It would have put the archers of the assailants at a great disadvantage if they had had to stand out in the open space, exposed defenceless to the aim of the foe; all neighbouring trees which could give shelter were, of course, cut down, in order to reduce them to this defenceless condition, and works were erected so as to command every possible coigne of vantage which the nooks and angles of the walls might have afforded. But the archers of the besiegers sought to put themselves on more equal terms with their opponents by using the pavis or mantelet. The pavis was a tall shield, curved so as partly to envelop the person of the bearer, broad at the top and tapering to the feet. - Tunic
The earliest made-up garment, that in which the art of the tailor was called into play, was doubtless a simple bag, more or less closely fitting to the body and of varying length, with holes for the arms and an opening for the neck. Such a primitive garment has been worn in varying forms at all periods of the world's history, and is in use at the present time in the form of the ordinary singlet. The modern singlet is, in fact, the simple, primeval type of the tunic. - Tribunal of Kings Bailiff
Bailliage, or Tribunal of the King's Bailiff.--Fac-simile of an Engraving on Wood in the Work of Josse Damhoudere, "Praxis Rerum Civilium." (Antwerp, 1557, in 4to.). - Treading the grape
Treading the Grape - Transport on camels
Transport of Merchandise on the Backs of Camels.--Fac-simile of a Woodcut in the "Cosmographie Universelle," of Thevet: folio, 1575. - Traders entering a Town
The illustration shows a group of people crossing the bridge into a town, and the collector levying the toll. The oxen and pigs, the country-wife on horseback, with a lamb laid over the front of her saddle, represent the country-people and their farm-produce; the pack-horse and mule on the left, with their flat-capped attendant, are an interesting illustration of the itinerant trader bringing in his goods. - Tower of the temple
The creation of a public revenue, raised by the contributions of all classes of society, with a definite sum to be kept in reserve, thus dates from the reign of Philip Augustus. The annual income of the State at that time amounted to 36,000 marks, or 72,000 pounds' weight of silver--about sixteen or seventeen million francs of present currency. The treasury, which was kept in the great tower of the temple, was under the custody of seven bourgeois of Paris, and a king's clerk kept a register of receipts and disbursements. This treasury must have been well filled at the death of Philip Augustus, for that monarch's legacies were very considerable. The Tower of the Temple, in Paris.--From an Engraving of the Topography of Paris, in the Cabinet des Estampes, of the National Library. - Tournaments
Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris).