- The Alhambra
- S. Marco—Detail of main door
- Palazzo Vendramin
- Ca’ d’Oro
- The Piazzetta
- Doorway with Coloured Relief of SS. Mark and Anianus
- S. Pietro in Castello from S. Elena
- S. Marco and the Doge’s Palace, with the Loggetta in the Foreground
- Byzantine Relief from South Side, S. Marco
- S. Giorgio Maggiore
- Fishing Boats on the Giudecca
- The Palazzi Giustiniani and Foscari
- Ponte di Paglia
- Capitals, Atrium, S. Marco
- Murano
- A Spanish Cavalier of the Sixteenth Century
- On the Lagoons
- Horseshoe Clump
Leaving the village behind and pursuing the Portsmouth road, the woodlands of Claremont Park are left behind as we come downhill towards Horseshoe Clump, a well-known landmark on this road. This prominent object is a semicircular grove of firs on the summit of a sandy knoll, looking over the valley of the Mole, the “sullen Mole” of the poets, flowing in far-flung loops below, on its way to join the Thames at Molesey. This is a switchback road for cyclists thus far, for the ridge on which Horseshoe Clump stands is no sooner gained than we go downhill again, and so up once more and across the level “fair mile,” to descend finally into Cobham Street, where the Mole is reached again. - Doge’s Palace—The Judgment of Solomon Corner
- A Spanish Gentlewoman of the Sixteenth Century
- Doge’s Palace—The Cortile
- A Spanish Captain
- Grand Canal, with the Riva del Carbon and Rialto Bridge
- A Spaniard of the Seventeenth Century
- The Rialto Bridge
- Vine Pergola on the Giudecca
- Doge’s Palace—Sala del Maggior Consiglio
- Costume of a Young Spanish Woman, early Seventeenth Century
- A Spanish Captain, Time of Philip II
- A Mohammedan Chief
- S. Marco—Detail of Archivolt
- Statue of Bartolomeo Colleoni
- Palazzo Dario
- A Spanish Gentleman, early Sixteenth Century
- Cloister of S. Francesca della Vigna
- Remains of Marco Polo’s House
- Venice from the Public Gardens
- A Spanish Captain of the Sixteenth Century
- Palazzo Contarini, with Spiral Staircase and Byzantine Well-Head
- A Royal Attendant, Spain
- Pedro the Cruel
- Crown Point
On the other side of the highway, swinging romantically from the branches of a great Scotch fir, is the picture-sign of the house, bearing the legend, “Sir Jeffrey Amherst, Crown Point,” and showing the half-length portrait of a very determined-looking warrior, clad in armour and apparently deep in thought; while in the background is a broad river, across whose swift current boat-loads of soldiers, in the costume of two centuries ago, are being rowed. - S. Maria della Salute
- Mohammedan Sword and Shield
- Fishing Boats
- A Spanish King of the Fifteenth Century
- The Squero, S. Trovaso
- Columns of SS. Mark and Theodore
- Spanish Cavalier of the Fifteenth Century
- Divider - The time of moslem domination
- A Spanish Nobleman of the Fifteenth Century
- Queen Isabella
- A Spanish Gentleman, time of Philip II
- Bust of Francesco Foscari
- Spanish Noblewoman
- Blanche of Castile
- Queen Berengaria, Spain
- Charles IV
- Isabella
- Centaurea babylonica
Among the Centaureas there are a few subjects which might be used among hardy fine-leaved plants, but by far the most distinct and remarkable is the very silvery-leaved C. babylonica. This is quite hardy, and when planted in good ground, sends up strong shoots, clad with yellow flowers, to a height of 10 ft. or 12 ft. The bloom, which continues from July to September, is not by any means so attractive as the leaves; but the plant is at all times picturesque. In `groups`, or, still better, isolated, on rough or undulating parts of pleasure-grounds, it has a very fine effect. A free sandy loam suits it best.