- An appointment at the Cafe des Tuileries
- The Fountain in the Rue de Regard
- Horses in a heap, Leader down, Wheelers falling over him
I have twice had three out of the four horses in a heap, from a leader coming down and the two wheelers falling over him; but in such a case as this there is very little danger if the coachman has the presence of mind not to leave his box till there is sufficient strength at the horses' heads to prevent them jumping up and starting off frightened. - The Embarkation of Henry VIII. from Dover, 1520
(From the original painting at Hampton Court.) - Frederick stood on the bloody field like one dazed
Frederick stood on the bloody field like one dazed, and it was only by chance he was saved from capture by some Russians and Austrians who approached the spot where he was standing. Captain Prittiwitz, his fortunate star, happened to be passing near by, with forty hussars. Lieutenant Belten suddenly exclaimed: “Captain Prittiwitz, yonder stands the King.” 86 The captain immediately turned his horse and rode forward with his men to the King, who was standing with folded arms upon a sandy hillock and alone, save for a single attendant who held his horse. His sword was sticking in the sand in front of him. The captain had considerable trouble in persuading the King to mount his horse, for at that instant Frederick was on the very verge of despair. To the appeal of the captain, he replied: “Leave me, Prittiwitz; I am lost.” “Not yet, Your Majesty,” answered Prittiwitz; “you are still King of Prussia and commander of an army of brave soldiers.” “Well, if you think so, forward.” - 1810
- Théâtre des Variétés
- Master of the Playing Cards. Man of Sorrows
To his [Master of the Playing Cards.] latest and most mature period must be assigned the Man of Sorrows—in some ways his finest, and certainly his most moving, plate. Not only has he differentiated between the textures of the linen loin-cloth and the coarser material of the cloak; but the column, the cross with its beautiful and truthful indication of the grain of the wood, and the ground itself, all are treated with a knowledge and a sensitiveness that is surprising. The engraver’s greatest triumph, however, is in the figure of Christ. There is a feeling for form and structure, sadly lacking in the work of his successors, and his suggestion of the strained and pulsing veins, which throb through the Redeemer’s tortured limbs, is of a compelling truth. - Paul Pindar's House
- Riding in the Park
- Stock-Jobbing in the Palais-Royal
- Gallo-Roman Weapons
The Romans, either alarmed by the progress of Hannibal, or becoming aware of the value of such allies as the Spaniards, now sent larger armies to their assistance, headed by their ablest generals. - Shipping in the Thames, circa 1660
(From Pricke's 'South Prospect of London.') - Old St. Paul's, from the East
- A game of Emigrette
- Bear-baiting
(From the Luttrell Psalter.) - Toynbee Hall and St. Jude’s Church
- A Countryman and Countrywoman
Ordinary Civil Costume ; temp Charles I (From Speed's map of 'The Kingdom of England,' 1646.) - Ecclesiastical Costume in the Twelfth Century
- Ordinary Attire of Women of the Lower Classes
(From Sandford's 'Coronation Procession of James II.') - A Coach of the Middle of the Seventeenth Century
(From an engraving by John Dunstall.) - 1806
- Dress of Ladies of Quality
(From Sandford's 'Coronation Procession of James II.') - Arbalestina
The narrow cruciform loophole, called by architects ' Arbalestina,' which is usually to be seen in the masonry of a mediaeval fortress, was designed for the special use of crossbowmen in repelling an assault. To enable the crossbow, or longbow, to be aimed to the right or left through a loophole, the aperture was greatly widened out on the inside face of the perforated wall. - Saxon Church at Bradford-on-Avon, Wilts
- Crossbowmen
They represent French soldiers at the defence of Rouen, 1419, shooting from behind the shelter of shields propped up in front of them. - The Globe Theatre
The first theatre was built in 1570. Thirty years after there were seven. The Queen had companies of children to play before her. They were the boys of the choirs of St. Paul's, Westminster, Whitehall, and Windsor. The actors called themselves the servants of some great lord. Lord Leicester, Lord Warwick, Lord Pembroke, Lord Howard, the Earl of Essex, and others all had their company of actors—not all at the same time. The principal Houses were those at Southwark, and especially at Bank Side, where there were three, including the famous Globe - How a crossbowman should approach animals
How a crossbowman should approach animals by means of a cart concealed with foliage. - Gallo-Roman Sword and Horn
- Master of the Year 1446. Christ Nailed to the Cross
Size of the original engraving, 4⅛ × 3¼ inches In the Royal Print Room, Berlin Chief among the engravers who show most clearly the influence of the Master of the Playing Cards is the Master of the Year 1446, so named from the date which appears in the Flagellation. His prints present a more or less primitive appearance, and were it not for this date, one might be tempted, on internal evidence, to assign them to an earlier period. In the Passion series, in particular, many of the figures are more gnome-like than human. Such creatures as the man blowing a horn, in Christ Nailed to the Cross, and the man pulling upon a rope, in the same print, recall to our minds, by an association of ideas, the old German fairy tales. - A juggler, after a miniature
- House in Stoke Newington in which Edgar Allan Poe Lived
Stoke Newington is connected with the name of Edgar Allan Poe. It was here that he was at school, where he was brought over by the Allans as a child. The house still stands; it is at the corner of Edward’s Lane, which runs out of Church Street. Let us hope that the eccentricities of this wayward poet were not due to the influences of Nonconformist Newington. - The Shooting-Gallery
- Tomb of Edward III. in Westminster Abbey
- A Bed in the Reign of Henry III
- Sir Francis Drake, in his Forty-third Year
- Frederick at the watch-fire before the battle of Liegnitz
To the astonishment of all, Daun decided upon a battle, hoping thus to ensure the destruction of the Prussian army. The decisive blow was to be struck August 15, and to make it all the more decisive he arranged for an attack at daybreak and a repetition of the slaughter at Hochkirch. This time, however, Frederick was fortunate enough to hear of the plan and he made a counterplan at once. The Prussian army left its camp in absolute silence during the night and occupied the neighboring heights; and to make the Austrians believe it was resting quietly in its old position, peasants were employed to keep the campfires burning brightly. Noiselessly Frederick arranged his army in fighting order. Silently the regiments stood in `rank` and listened for the signal to attack. There was something weird in the spectacle. The infantry stood with weapons ready for attack, and bright sabres flashed in the stout fists of the troopers ready at any instant to strike. Far down in the east day was dawning, and the silent host in the gray dusk looked like a troop of spectres. To enjoy a moment’s rest, Generals Seydlitz and Zieten threw themselves down by a campfire and slept; but Frederick, sitting upon a drumhead, considered the plans of the coming battle. At last he too was overcome by fatigue, and lying by the side of his generals was soon asleep. Suddenly a major rushed up and loudly asked, “Where is the King?” The latter, somewhat startled, arose at once and answered, “What is the matter?” “The enemy is not four hundred yards away,” was his reply. Frederick at the watch-fire before the battle of Liegnitz Officers and men were at once on the alert. Two minutes sufficed to form the regiments in order. Words of command were heard on all sides. The cavalry made ready for the onset. The thunder of artillery resounded over hill and valley, and in less than ten minutes the battle was raging. Frederick’s invincible spirit worked wonders. General Laudon had not expected such a reception and was utterly astonished to find a powerful force confronting him when he expected to surprise the Prussians in their camp. But in this emergency everything depended upon energy and courage. He made a brave assault, but the Prussians made a braver resistance. They fought like lions, and if it had been lighter the enemy would have been mercilessly slaughtered. When the sun rose it illuminated the field covered with bodies and broken weapons. The four hours’ sanguinary conflict was decided. The Prussians won a complete victory, and the Austrians lost ten thousand men, beside twenty-three standards and eighty-two cannon. Thus ended the battle of Liegnitz, August 15, 1760. - Skating
- Costume of Shepherds in the Twelfth Century
- Skaters on the Reservoir at La Villette
- Coaches in the Reign of Elizabeth
Coaches in the Reign of Elizabeth I (From 'Archcæologia.') - Coach of the latter half of the Seventeenth Century
(From Loggan's 'Oxonia Illustrata.') - Waggon of the second half of the Seventeenth Century
(From Loggan's 'Oxonia Illustrata.') - Druids
ALTHOUGH these Britons did not worship images, they believed that there were many gods and their religion was very different from that which is taught us in the Bible. They had priests who were called DRUIDS, who lived mostly in the forests, and taught the people that the Oak was a sacred tree. They worshipped the mistletoe, a plant which grows on the branches of the oak and on other trees. This mistletoe was cut off every year, with a golden knife, by the chief Druid, amid great rejoicing, and was very carefully preserved. The priests wore white linen robes, and let their beards grow very long to distinguish them from the rest of the people. The savages obeyed them because they knew more than anybody else, and tried to find out medicines to cure those who were ill. They used various means to make the people give them presents. On a certain day, at the beginning of winter, they obliged all persons to put out their fires, and light them again from the fire of the sacred altar, telling them, that by so doing they would have good fortune throughout the year; but if any one did not act as they wished, they would not allow him to enter their temples, and his friends were forbidden to give him any help. - Drawing Blood for Transfusion
When the donor’s arm has been congested by gripping it above the elbow, or better by the application of a tourniquet drawn to the requisite degree of tightness, a suitable vein, usually the median basilic, is chosen. The area of puncture is washed with ether and a very small quantity, 2 to 3 minims, of 2 per cent. novocain is introduced over the vein with a hypodermic syringe. If a larger quantity is used, the vein may become obscured, but this small amount may be dispersed by a few moments’ pressure with the finger, and is usually enough to anæsthetize the very small area of skin that is to be operated upon. A tiny cut in the skin is then made with the point of a scalpel, and the needle is pushed through into the vein. - Kimpton-Brown Tube
Whole Blood Transfusion with Kimpton’s Tube. The principle of this method depends upon the use of paraffin wax as a coating for the vessel into which the blood is drawn, so that clotting is prevented or greatly delayed. The form of the vessel has been modified by different workers, but the essentials are the same in each. One form of the apparatus, known as the Kimpton-Brown tube, is illustrated in the accompanying diagram. It consists of a graduated glass cylinder, of about 700 cc. capacity, the lower end of which is drawn out into a cannula point at an acute angle with the body of the cylinder; the point is of a size convenient for introducing into a vein and its bore large enough to allow of a free flow of blood through it. Near the upper end is a side tube to which a rubber tube can be attached, and an opening at the top is closed by a rubber bung. An ordinary rubber double-bulb bellows is the only other apparatus that is needed. - Blundell’s Impellor
A more general interest in the subject was revived in England by the work of James Blundell, lecturer on physiology and midwifery at St. Thomas’s and Guy’s Hospitals. He published in 1818 his earliest paper on experimental transfusion with a special form of syringe invented by himself. His first apparatus consisted of a funnel-shaped receptacle for the blood, connected by a two-way tap with a syringe from which the blood was injected through a tube and cannula into the recipient. His experiments were[11] performed upon dogs, and he began by drawing blood from the femoral artery and re-injecting it into the same animal through the femoral vein. He then conducted a long series of investigations into the properties of blood, the effects of its withdrawal, and the resuscitation of an exsanguinated animal. Soon he had opportunities of transfusing patients with human blood, and the results are recorded in his paper of 1824. His apparatus had by then been elaborated, and an engraving of his Impellor, as he termed it, is reproduced here. It consisted as before of a funnel-shaped receptacle for the blood, but the syringe was now incorporated in one side of the funnel, and contained a complicated system of spring valves, which caused the blood to travel along the delivery tube when the piston was pushed down. The Impellor was fixed to the back of a chair in order to give it stability. - Bradlaugh
- Mrs Hemans