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- The Shooting-Gallery
- The George Hotel, Ruislip
Round about “Riselip,” as its inhabitants call it, they grow hay, cabbages, potatoes, and other useful, if humble, vegetables; and, by dint of great patience and industry, manage to get them up to the London market. It is only at rare intervals that the villagers ever see a railway engine, for Ruislip is far remote from railways, and so the place and people keep their local character.Two or three remarkably quaint inns face the central space round which the old and new cottages are grouped, and the very large church stands modestly behind, its battlemented tower peering over the tumbled roofs and gable-ends with a fine effect, an effect that would be still finer were it not that the miserably poor “restoration” work of the plastered angles, done by that dreadful person, Sir Gilbert Scott, is only too apparent. - The Last Days of the 'Swan with Two Necks'
The “Swan with Two Necks,” whence many coaches set out, until the end of such things, was often known by waggish people as the “Wonderful Bird,” and obtained its name from a perversion of the “Swan with Two Nicks”: swans that swam the upper Thames and were the property of the Vintners’ Company being marked on their bills with two nicks, for identification. Lad Lane is now “Gresham Street,” but, apart from its mere name, is a lane still; but the old buildings of the “Swan with Two Necks” were pulled down in 1856. - The 'Running Horse,' Leatherhead
A hundred and fifty years later than Piers Plowman we get another picture of an English ale-house, by no less celebrated a poet. This famous house, the “Running Horse,” still stands at Leatherhead, in Surrey, beside the long, many-arched bridge that there crosses the river Mole at one of its most picturesque reaches. It was kept in the time of Henry the Seventh by that very objectionable landlady, Elynor Rummyng, whose peculiarities are the subject of a laureate’s verse. - Elynor Rummyng
A hundred and fifty years later than Piers Plowman we get another picture of an English ale-house, by no less celebrated a poet. This famous house, the “Running Horse,” still stands at Leatherhead, in Surrey, beside the long, many-arched bridge that there crosses the river Mole at one of its most picturesque reaches. It was kept in the time of Henry the Seventh by that very objectionable landlady, Elynor Rummyng, whose peculiarities are the subject of a laureate’s verse. Elynor Rummyng, and John Skelton, the poet-laureate who hymned her person, her beer, and her customers, both flourished in the beginning of the sixteenth century. Skelton, whose genius was wholly satiric, no doubt, in his Tunning (that is to say, the brewing) of Elynor Rummyng, emphasised all her bad points, for it is hardly credible that even the rustics of the Middle Ages would have rushed so enthusiastically for her ale if it had been brewed in the way he describes. - An Ale-stake
The bibulium, that is to say, the ale-house or tavern, displayed its sign for all men to see: the ivy-garland, or wreath of vine-leaves, in honour of Bacchus, wreathed around a hoop at the end of a projecting pole. This bold advertisment of good drink to be had within long outlasted Roman times, and indeed still survives in differing forms, in the signs of existing inns. It became the “ale-stake” of Anglo-Saxon and middle English times. The traveller recognised the ale-stake at a great distance, by reason of its long pole—the “stake” whence those old beer-houses derived their name—projecting from the house-front, with its mass of furze, or garland of flowers, or ivy-wreath, dangling at the end. But the ale-houses that sold good drink little needed such signs, a circumstance that early led to the old proverb, “Good wine needs no bush.” - Seven Stars
The famous “Seven Stars”, in Withy Grove, proudly bearing on its front the statement that it has been licensed over 560 years, and is the oldest licensed house in Great Britain. - The “Dick Whittington,” Cloth Fair
The City of London’s oldest licensed inn is, by its own claiming, the “Dick Whittington,” in Cloth Fair, Smithfield, but it only claims to have been licensed in the fifteenth century, when it might reasonably—without much fear of contradiction—have made it a century earlier. This is an unusual modesty, fully deserving mention. It is only an “inn” by courtesy, for, however interesting and picturesque the grimy, tottering old lath-and-plaster house may be to the stranger, imagination does not picture any one staying either in the house or in Cloth Fair itself while other houses and other neighbourhoods remain to choose from; and, indeed, the “Dick Whittington”[Pg 6] does not pretend to be anything else than a public-house. The quaint little figure at the angle, in the gloom of the overhanging upper storey, is one of the queer, unconventional imaginings of our remote forefathers, and will repay examination. - Alehouse