‘Dymoke of Scrivelsby’
Washington's Coach
We must remember that travelling was no such simple and easy matter then as it is now. As the planters in Virginia usually lived on the banks of one of the many rivers, the simplest method of travel was by boat, up or down stream. There were cross-country roads, but these at best were rough, and sometimes full of roots and stumps. Often they were nothing more than forest paths. In trying to follow such roads the traveler at times lost his way and occasionally had to spend a night in the woods. But with even such makeshifts for roads, the planter had his lumbering old coach to which, on state occasions, he harnessed six horses and drove in great style.
Waggon of the second half of the Seventeenth Century
(From Loggan's 'Oxonia Illustrata.')
Two horses looking at their food
Two horses looking at their food
Two horses
Two horses
Two dogs and a horse
Two dogs and a horse
Two children riding ponies on the beach
Two children riding ponies on the beach
Trotting across a field
Trotting across a field
Thothmes IV. slaying Asiatics
When Thothmes IV. ascended the throne he was confronted by a very serious political problem. The Heliopolitan priesthood at this time was chafing against the power of Amon, and was striving to restore the somewhat fallen prestige of its own god Ra, who in the far past had been the supreme deity of Egypt, but had now to play an annoying second to the Theban god. Thothmes IV., as we shall presently be told by Akhnaton himself,[8] did not altogether approve of the political character of the Amon priesthood, and it may have been due to this dissatisfaction that he undertook the repairing of the great Sphinx at Gizeh, which was in the care of the priests of Heliopolis. The sphinx was thought to represent a combination of the Heliopolitan gods Horakhti, Khepera, Ra, and Atum, who have been mentioned above; and, according to a later tradition, Thothmes IV. had obtained the throne over the heads of his elder brothers through the mediation of the Sphinx—that is to say, through that of the Heliopolitan priests. By them he was called “Son of Atum and Protector of Horakhte, ... who purifies Heliopolis and satisfies Ra,” and it seems that they looked to him to restore to them their lost power. The Pharaoh, however, was a physical weakling, whose small amount of energy was entirely expended upon his army, which he greatly loved, and which he led into Syria and into the Sudan. His brief reign of somewhat over eight years, from 1420 to 1411 B.C., marks but the indecisive beginnings of the struggle between Amon and Ra, which culminated in the early years of the reign of his grandson Akhnaton.
The wrong way to mount a horse—facing forward
The wrong way to mount a horse—facing forward
The two wise cart-horses
Cart-horses, though heavy-looking animals, are more sagacious that their more gracefully formed relatives. A cart-horse had been driven from a farmyard to the neighbouring brook early one morning during winter to drink. The water was frozen over, and the horse stamped away with his fore-feet, but was unable to break the ice. Finding this, he waited till a companion came down, when the two, standing side by side, and causing their hoofs to descend together, broke through the ice, and were thus enabled to obtain the water they required.
The Trumpeter
THE TRUMPETER.” (SIR JOHN GILBERT, R.A.) (Drawn in pen and ink, from his picture in the Royal Academy, 1883.) [Size of drawing, 5½ by 4¾ in. Photo-zinc process.]
The Stage Coach - Old Times
The Stage coach
The Stage coach is used in the country where towns are few. The stages meet trains at the stations and take on passengers to be carried to their homes away from the railroad. Some of the stage routes are several hundred miles long.
The short strap in use
A common breaching strap is used to strap up the foot. For using, open the loop, keeping the buckle on the outside, put the loop over foot, then raise foot and pass the strap around the fore-arm from the inside, and buckle it tight; this holds the foot up firmly.
The short and the long straps
Horses may be taught many amusing tricks, some of which are really wonderful. For teaching horses tricks the implements known as the Rarey straps are requisite, to teach the animal to lie down, etc. The piebald or spotted horses are generally supposed by trainers to be more tractable as well as to possess more talent than others.
The Rubbish Carter
The Rubbish Carter Technologically there are several varieties of “rubbish,” or rather “dirt,” for such appears to be the generic term, of which “rubbish” is strictly a species. Dirt, according to the understanding among the rubbish-carters, would seem to consist of any solid earthy matter, which is of an useless or refuse character. This dirt the trade divides into two distinct kinds, viz.:— 1. “Soft dirt,” or refuse clay (of which “dry dirt,” or refuse soil or mould, is a variety). 2. “Hard-dirt,” or “hard-core,” consisting of the refuse bricks, chimney-pots, slates, &c., when a house is pulled down, as well as the broken bottles, pans, pots, or crocks, and oyster-shells, &c., which form part of the contents of the dustman’s cart.
The right way to mount—facing toward his tail
In mounting, stand on the left side and place the left foot in the stirrup. Swing the right leg over the horse and find the right stirrup with the toe just as quickly as possible. Do not jerk a restless horse or otherwise betray your excitement if he starts. Let him see by your calmness that he too should be calm.
The Machine, 1640-1700
The coaches that travelled between London and distant towns were similar in construction to the hackney coach, which plied for hire in the streets, but were built on a larger scale. They carried eight passengers inside, and behind, over the axle, was a great basket for baggage and outside passengers, who made themselves as comfortable as they might in the straw supplied. The “insides” were protected from rain and cold by leather curtains; neither passengers nor baggage were carried on the roof; and the coachman sat on a bar fixed between the two standard posts from which the body was hung in front, his feet being supported by a footboard on the perch. Mr. Thrupp states that in 1662 there were only six stage coaches in existence; which assertion does not agree with that of Chamberlayne, quoted on a previous page; the seventeenth century writer tells us that in his time—1649—stage coaches ran “from London to the principle towns in the country.” It seems, however, certain that the year 1662 saw a great increase in the number of “short stages”—that is to say, coaches running between London and towns twenty, thirty, forty miles distant.
The Knight-Errant’s Squire
There is so much of character in his squire’s face in the picture, and that character so different from our conventional idea of a squire as he leans over the horse’s back talking to his master.
The Horse lying down
The Horse lying down
The Horse
The Hand-organ performance
After the horse has learned to take hold readily of anything offered to him, which knowledge he will have acquired if he has already learned to perform the tricks heretofore mentioned, the only additional instruction necessary will be to initiate him into the mysteries of turning the handle. When he has taken hold of the handle, gently move his head so as to produce the desired motion. If, when you let go of his head, he ceases the motion, speak sharply to him and put his head again in motion. With almost any horse a few lessons, and judicious rewards when he does what is required, will accomplish the object, and he will soon both be able and willing to grind out Old Dog Tray, or Norma, if not in exact time at least with as much correctness as many performers on this instrument.
The Feat of Arms at St. Inglebert’s
For an actual historical example of the tournament in which a number of knights challengers undertake to hold the field against all comers, we will take the passage of arms at St. Inglebert’s, near Calais, in the days of Edward III., because it is very fully narrated by Froissart, and because the splendid MS. of Froissart in the British Museum supplies us with a magnificent picture of the scene.
The Duke of Gloucester and the Earl of Warwick
The illustration is from the valuable MS. Life and Acts of Richard Beauchamp, Earl of Warwick. The present is part of a fight before Calais, in which Philip Duke of Burgundy was concerned on one side, and Humphrey Duke of Gloucester, Richard Earl of Warwick, and Humphrey Earl of Stafford on the other.
The conveyance of a Persian official traveling in disgrace to Teheran at the call of the shah
The conveyance of a Persian official traveling in disgrace to Teheran at the call of the shah
The Assault
Seizing that moment, a party of camp followers run forward with a couple of planks, which they throw over the moat to make a temporary bridge. They are across in an instant, and place scaling-ladders against the walls. The knights, following close at their heels, mount rapidly, each man carrying his shield over his head, so that the bare ladder is converted into a covered stair, from whose shield-roof arrows glint and stones roll off innocuous. It is easy to see that a body of the enemy might thus, in a few minutes, effect a lodgment on the castle-wall, and open a way for the whole party of assailants into the interior.
The application of both straps
The application of both straps
Termination of the Combat
When many combatants fought on each side, it was called a tournament. Such sports were sometimes played in gorgeous costumes, but with weapons of lath, to make a spectacle in honour of a festal occasion. Sometimes the tournament was with bated weapons, but was a serious trial of skill and strength. And sometimes the tournament was even a mimic battle, and then usually between the adherents of hostile factions which sought thus to gratify their mutual hatreds, or it was a chivalrous incident in a war between two nations.
Teaching the horse to lie down
The long strap is the one which buckles around the foot. To a ring in this is buckled another strap seven or eight feet long. This is attached to the right foot and passes under the girth, or over the back. Its use is to raise the foot when you wish to bring the horse upon his knees.
Teaching the horse to back
Put the cord upon the horse, using the small loop; draw it with a steady pull; this brings the horse’s nose toward his body. Keep a firm hold upon the cord until he steps back a little, using at the same time the word “back.” Then caress him; by doing so you show him that he has done exactly as you wished him to, and the caresses should be repeated every time he obeys.
Tandem
Tandem
Summoning the Castle
Suppose the king and his chivalry in the following woodcut to be only summoning the castle; and suppose them, on receiving a refusal to surrender, to resolve upon an assault. They retire a few hundred yards and dismount, and put their horses under the care of a guard. Presently they return supported by a strong body of archers, who ply the mail-clad defenders with such a hail of arrows that they are driven to seek shelter behind the battlements.
Spectators of a Tournament
The woodcut, greatly reduced from one of the fine tournament scenes in the MS. history of the Roi Meliadus, shows the temporary gallery erected for the convenience of the ladies and other spectators to witness the sports. The tent of one of the knights is seen in the background, and an indication of the hurly-burly of the combat below
Speckled horse
Speckled horse
Soldier on horse
Soldier on horse
Skeleton of Horse
Skeleton of the Horse 1.Skull, or skeleton of the head. 2.Cervical vertebræ or neck bones. 3.Dorsal vertebræ or back bones. 4.Lumbar vertebræ or loin bones. 5.Sacral vertebræ or rump bones. 6.Coccygeal vertebræ or tail bones. 7.Pelvic or hip bones. 8.Sternum or breast bone. 9.Ribs. 10.Scapula or shoulder blade. 11.Humerus or shoulder bone. 12.Radius or bone of the fore-arm. 13.Ulna or bone of the fore-arm. 14.Carpus or bones of the knee. 15.Os Melacarpi Magnus, metacarpal, or cannon bone. 16.Ossa Melacarpi Parva, or splint bones. 17.Proximal Phalanx, os suffraginis, or large pastern bone. 18.Great Sesamoid Bones. 19.Medium Phalanx, os coronæ, or small pastern bone. 20.Distal Phalanx, os pedis, or coffin bone. 21.Os Naviculare, small sesamoid, or shuttle bone. 22.Femur, or thigh bone. 23.Patella, or stifle bone. 24.Tibia, or leg bone. 25.Fibula. (This bone is little developed in the horse.) 26.Tarsus or hock bones. 27.Metatarsus, or os metatarsi magnus. 28.Ossa Metatarsi Parva, or splint bones of the hind leg. Names of joints placed according to numbers. I. Shoulder Joint. II. Elbow Joint. III.Carpus or knee joint. IV.Fetlock Joint. V.Pastern Joint. VI.Coffin Joint. VII.Hip Joint. VIII.Stifle Joint. IX.Tarsus or hock joint.
Sheridan's Horse
Saxon Horse Soldiers
Saxon Horse Soldiers
Samnite Warriors
Samnite Warriors (From painted vases) The Romans completely beaten by the Samnites at the battle of the Caudine Forks
Rodeo Rider
Rodeo Rider
Riding in the Park
Racing
Racing
Racing
Queen Elizabeth’s Travelling Coach
Queen Elizabeth travelled in a coach, either the one built by Walter Rippon or that brought by Boonen (who, by the way, was appointed her coachman), on some of her royal progresses through the kingdom. When she visited Warwick in 1572, at the request of the High Bailiff she “caused every part and side of the coach to be opened that all her subjects present might behold her, which most gladly they desired.” The vehicle which could thus be opened on “every part and side” is depicted incidentally in a work executed by Hoefnagel in 1582, which Markland believed to be probably the first engraved representation of an English coach. As will be seen from the reproduction here given, the body carried a roof or canopy on pillars, and the intervening spaces could be closed by means of curtains.
Preparing to lie down
Preparing to lie down
Prancing Horse
Prancing Horse
Pedestal Trick
One of the most common tricks displayed in circuses, and one which is usually hailed with applause, is what is termed the “pedestal” trick. A stout platform is used, to which is attached a wooden “drum” some two feet in height, out of which projects a wooden rod or post at a slight angle. The horse first steps upon the platform, then places one fore foot upon the drum, and lastly places his other fore foot upon the point of the projecting post. In this position a handsome animal forms a really beautiful picture, and the effect is sometimes enhanced by having a number of men raise the platform upon their shoulders, and bear the horse, high up above the heads of the spectators, like some equestrian statue, around the ring.
Peasant Wagon, Hainburg
Peasant Wagon, Hainburg
On the Caroussel
The carousel is a form of entertainment which has grown popular with a certain class of people within recent years. The term may be a little obscure to the uninitiated, but they will readily understand its meaning when it is explained that the carrousel is nothing more or less than the old-fashioned “merry-go-round” which we all easily remember as a feature of fairs, circuses and other out-door entertainments.
On our chieftain speeded, rallied quick the fleeing forces
old times sketch
Nervous system of a horse
1. Brain. 2. Spinal cord. 3. Brachial plexus. 4. Sacrolumbar plexus. 5. Pneumogastric. 6. Sciatic. 7. Sympathetic System. 8. Solar plexus.
Need real food
Horse reaching for some leaves on rather barren tree
My father stabled his horses at night in our lodge, in a little corral fenced off against the wall
My father stabled his horses at night in our lodge, in a little corral fenced off against the wall. “I do not want the Sioux to steal them,” he used to say. In the morning, after breakfast, he drove them out upon the prairie, to pasture, but brought them in again before sunset. In very cold weather my mothers cut down young cottonwoods and let our horses browse on the tender branches.
Muscles of the Horse
Mr. Daniel Bourn’s Roller Wheel Waggon -1763
Bourn’s reference to the “narrow-wheel waggon” touches a matter which formed the subject of hot debate for generations. It was urged that the narrow wheels of waggons were largely the means of cutting up the roads, and no doubt these did contribute to the general condition of rut and ridge that characterised them. This view was adopted by Parliament, and to encourage the use of wide wheels a system of turnpike tolls was adopted which treated the wide tire far more leniently than the narrow; anything under 9 inches in width being considered narrow. Bourn was a warm advocate for wide wheels, and the book from which the above passage is taken describes an improved waggon invented by himself; the drawing is[80] from the inventor’s work. The wheels of this vehicle resemble small garden rollers; they are 2 feet high and 16 inches wide. Each is attached independently to the body of the waggon and the fore wheels being placed side by side in the centre, while the hind wheels are set wide apart, the waggon is practically designed to fulfil the functions of a road-roller. It does not appear that Bourn’s invention obtained any general acceptance, which is perhaps not very surprising.
Mounted Crossbowman, with Cranequin crossbow, and a quarrel in his hat
Doubtless on the coasts of Scandinavia and North Germany, the chief home of these composite crossbows after the time of the Crusades, whalebone was easily obtainable, whilst in other parts of the Continent, the pieces which formed the heart of the bow, were made from the straightened horn of an animal. This ancient form of crossbow with a composite bow, survived in an improved form in Scandinavia and in the north of Europe, as a weapon of sport and war, till about 1460, or for nearly a hundred years after the far superior crossbow with a thick steel bow and a windlass had been in use in France, Spain and Italy. Some of these later weapons were made so strong in the fifteenth century, that after the invention of the powerful cranequin for bending steel bows, this apparatus was also employed for bending the composite bow
Men-at-Arms, Fourteenth Century
Next, round plates of metal, called placates or roundels, were applied to shield the armpits from a thrust; and sometimes they were used also at the elbow to protect the inner side of the joint where, for the convenience of motion, it was destitute of armour. An example of a roundel at the shoulder will be seen in one of the men-at-arms in the woodcut