Athene of the Parthenon
Goddess Athene of the Parthenon
Egyptian Gods—Set, Anubis, Typhon, Bes
In all these temples there was a shrine; dominating the shrine there was commonly a great figure, usually of some monstrous half-animal form, before which stood an altar for sacrifices. This figure was either regarded as the god or as the image or symbol of the god, for whose worship the temple existed. And connected with the temple there were a number, and often a considerable number, of priests or priestesses, and temple servants, generally wearing a distinctive costume and forming an important part of the city population.
Isis and Horus
This trinity consisted of the god Serapis (= Osiris + Apis), the goddess Isis (= Hathor, the cow-moon goddess), and the child-god Horus. In one way or another almost every other god was identified with one or other of these three aspects of the one God, even the sun god Mithras of the Persians.
Venus Pompeiana
An altar stands before the statue of Venus. In pre-Roman times this may have been the only shrine in the city at which worship was offered to Herentas; for by that name the goddess of love was known in the native speech. Venus as goddess of the Roman colony, was represented in an altogether different guise, and had a special place of worship elsewhere
A Goddess
This Doric chiton is often seen on statues and paintings of Greek goddesses. The shoulders and breast part were usually surmounted by the "AEgis," a sort of scaled cape-cuirass. Athena is generally represented wearing it
Greek costume of the Classic Period
A drawing made from the Pandora Vase, dated 460 B.C., in the Ashmolean Museum, and is given as an example of the treatment adopted by Greek artists in delineating the following garments It represents Zeus (on the left), Hermes and Hercules, wearing respectively the himation, chlamys, and kolobus. Pandora wears the Ionic crinkled chiton, and a small himation, which is nothing more than a veil, over an elaborate stephane. Eros is holding her girdle.
Representation of the ancient Mexican Worship of the Sun
The image of the sun is held up by a man in front of his face; two men blow conch-shell trumpets; another pair burn incense, and a third pair make blood-offerings by piercing their ears.
Babylonian Weather God
Babylonian Weather God
Reproduction of a Picture in the Maya Codex Troano representing the Rain-god Chac treading upon the Serpent's head
Reproduction of a Picture in the Maya Codex Troano I reproduce here a remarkable drawing from the Codex Troano, in which this god, whom the Maya people called Chac, is shown pouring the rain out of a water-jar (just as the deities of Babylonia and India are often represented), and putting his foot upon the head of a serpent, who is preventing the rain from reaching the earth. Here we find depicted with childlike simplicity and directness the Vedic conception of Indra overcoming the demon Vritra. Stempell describes this scene as "the elephant-headed god B standing upon the head of a serpent"; while Seler, who claims that god B is a tortoise, explains it as the serpent forming a footstool for the rain-god.
Another representation of the Elephant-headed Rain god
Another representation of the Elephant-headed Rain god. He is holding thunderbolts, conventionalised in a hand-like form. The Serpent is converted into a sac, holding up the rain-waters.
Figures of Taourt
It was a peculiar feature of the Egyptian religion, that it contained distinctively evil and malignant gods. Set was not, originally, such a deity; but he became such in course of time, and was to the later Egyptians the very principle of evil—Evil personified. Another evil deity was Taour or Taourt, who is represented as a hippopotamus standing on its hind-legs, with the skin and tail of a crocodile dependent down its back, and a knife or a pair of shears in one hand.
Figure of Bes
Bes seems also to have been a divinity of the same class {Evil Gods]. He was represented as a hideous dwarf, with large outstanding ears, bald, or with a plume of feathers on his head, and with a lion-skin down his back, often carrying in his two hands two knives.
The Hindoo Trimurti
The Trimurti or three-headed deity in the caves of Elephanta. This is a sculpture of the most remote antiquity, but the dress, the beads, the sacred cord and other religious symbols declare it to be the work of Hindoos. In anthropomorphising the Deity, men always adopt their own typical countenance for that of their God. Hence their idols betray the national features. Now, observe the profiles of Vishnu and Siva in this Trimurti.
Bacchus
Hittite God
That they [the Hittites] thoroughly cherished wine may be seen from the accompanying illustration, which represents one of their deities, who appears to be a compound of Bacchus and Ceres, and aptly illustrative of the two good things of those countries, corn and wine, which, with the olive and honey, made an earthly Paradise for the inhabitants thereof. It shows how much they appreciated wine, when they deified it.
The Sun-God of Edfu
Another important centre of the worship of the sun god, was Edfu in Upper Egypt, where even now his temple stands complete. Here originated the remarkable figure of the god which represents him as the sun with multicoloured wings as he flies across the heavens triumphant over his enemies. This figure of Horus of Edfu (or, as he was usually styled, he of Edfu) is placed over the gateways of the temples to keep out all evil things.
The bark of the sun
To the Egyptians there was no god of higher than the sun god, who was regarded as the sole creator, and ruler of the world; from the bark in which he traversed the heavens, the great god, the gor of heaven governed all things, and who-soeve in daily life merely speaks of the god, he will think of him.
The Sky as a cow
The Sky as a cow, supported by Shu and other gods. Across her body are the stars, and the barks of the sun. (Tomb of Seti I)
Juggernaut's Chariot
Juggernaut's Chariot At every large temple, there is at least yearly one grand procession. The idol is brought out from its inclosure, and placed in a great car or chariot, prepared for this express purpose. This stands upon four wheels of great strength, not made like ours, of spokes with a rim, but of three or four pieces of thick, solid timber, rounded and fitted to each other. The car is sometimes forty or fifty feet high, having upon it carved images of a most abominable nature. I must not tell you any thing about them. The car, when finished, presents somewhat the shape of a pyramid
Juggernaut
Juggernaut
Pulliar
Worhipping the Cobra
Worshipping the Cobra In order to induce the people to worship this dangerous enemy, the Hindoos have filled their books with tales concerning it. Figures of it are often to be seen in the temples, and on other buildings. They seek out their holes, which are generally to be found in the hillocks of earth which are thrown up by the white ants; and when they find one, they go from time to time and offer milk, plantains, and other good things to it. Many of the natives call the Cobra Capella nulla paampu, that is, good snake. They are afraid to call it a bad snake, lest it should injure them. The following is the prayer which is offered before the image of this snake. O, divine Cobra, preserve and sustain us. O, Sheoh, partake of these offerings, and be gracious unto us.