- Roman General
Roman General - Pestalozzi
The enthusiastic philanthropist and educational reformer, Pestalozzi - Mans Head
Mans Head - Mirabeau
Mirabeau, the brilliant but unprincipled orator - Samuel Taylor Coleridge
Samuel Taylor Coleridge - An Indian Pipe
An Indian Pipe - A Nautch Girl, or singing girl
The Nautch girl in the picture was considered one of the most celebrated singers in Bengal. Her voice was extremely sweet, but sung in so low a tone, that it would have been impossible to hear a note unless within a few yards of her; but a powerful voice is not esteemed an excellence in an Indian singer. Each Nautch Girl is attended by her own musicians, who form themselves in a circle behind her, accompanying her voice with their instruments. - A Nautch Girl
The dances of the Nautch Girls consist in sudden transitions. The movement is sometimes slow and graceful; then by a change of the music it becomes all life, and exhibits the most rapid succession of violent actions, the performers twirling round with the velocity of a spinning top, and for such a length of time that it almost makes a person giddy to look at them. - Nautch Girl
The Nautch Girls are the singing and dancing girls of the East. They are gorgeously attired in robes of embroidered silk and muslin, and covered with jewels. They attend the public and private festivals and entertain the company bu their soft and voluptuous songs, and graceful attitudes. - Female playing on the Tumboora
Female playing on the Tumboora - How to hold the Cello
Most pupils are surprised I have no doubt, at the evident discrepancy seen in the plates usually published with 'cello schools, when compared with the manner in which our first class artists hold their instruments. - How to hold the Cello bow
The knuckles must not protrude in the least, the fingers also help by being allowed to bend easily at their middle joints, the upper phalanges having an almost horizontal position over the bow - A Chinese Tomb
The number of Chinese going in the same direction as ourselves was very great, as the worshipping of the tombs had just begun. Most of these people were on foot, but some went along in chairs. They carried with them long strings of paper ingots, to burn at the tombs. These ingots, or mock-money, are done up like little sugar-loaves, and are strung on cord. I saw men carrying five or six such long strings of ingots from the end of their bamboos. They also had offerings of cake in red painted boxes, fire-crackers, and bright-coloured and white paper, the latter of which they stick in strips on the graves. I also saw some men carrying roasted pigs cooked whole, for offerings. The Chinese are too thrifty to leave these at the tombs ; they merely offer them, then bring them home and feast on them with their relations. All male members of a family must worship their ancestors' tombs yearly, and we met fathers taking their sons of all ages with them to the graves. The tombs were soon on all sides of us ; they are in the form of a horse-shoe, and are built on the sides of the mountain in stone or asphalte. These belong to the rich ; the graves of the poorer class are simply marked by an upright stone or a conical mound of earth. - Open-air refreshment stall
I have observed a great number if open-air stalls, which are placed either under mat coverings, or simply under large umbrellas made of dried palm-leaves. I have seen most picturesque groups standing around these stalls drinking soup, or eating boiled rice with chopsticks, or perhaps taking cakes or other light refreshment. - Water Clock
The day after we had had our grand Chinese dinner we went into the city, and the first object we visited was the Clepsydra (or water clock), which is placed in a chamber erected on the tower called Kung-Pak-Lau. We saw four tubs containing water, which are placed on an inclined plane and connected by open spouts. The tube vary in size, the largest one being at the top. The water trickles from the one tub into the other. A copper dial resembling a carpenter's rule, with Chinese characters engraved on it marking its divisions, rests on a wooden float in the lowest tub. As this dial rises it shows the length of time expired. A man remains in the building night and day, for the purpose of giving the hour to the citizens of Canton. This he does during the day, by placing boards outside the clock tower, which are painted white, and bear large black Chinese characters marking the hour. A gong and drum are kept in the tower, by which the watchman makes known the various watches or hours of the night. A small shrine is placed immediately above the steps leading to the water clock, in honour of Pwan-Ku, who is described in Chinese mythology as having been the first man. As clothes were supposed to be unknown when he flourished, he is represented as wearing an apron or girdle of green leaves. He appears to be regarded as the tutelary god of the water clock. - Al Fresco Tail-plaiting
As we came to the monastery this morning, I was very much amused at seeing, close by the gates of the monastery, barbers plying their trade al fresco. Two men were being operated upon; one was being shaved, the other having his tail plaited. It is a common sight in the streets of the city to see barbers shaving their customers in the open air. - An Itinerant Barber waiting for a customer
An Itinerant Barber waiting for a customer - An Itinerant Barber
These itinerant barbers are quite an institution in China, going, as they do, from village to village and from monastery to monastery, in pursuit of their calling. They look so picturesque, as one meets them about the country, wearing, as they do, broad-brimmed straw hats, loose jackets, and long flowing trousers. These men carry a miniature chest of drawers, in which they keep their razors, brushes, combs, and earnings, suspended from one end of a thin bamboo pole which rests on their shoulders. From the other end a wooden washstand and basin are suspended. I have not mentioned soap, as none is used in Chinese shaving. The tiny chest of drawers serves as a seat for the customers. - Blacksmiths Working in the Open Air
Blacksmiths Working in the Open Air - Boat-Children Ashore
Boat-Children Ashore - Boy Gambling for Fruit
The Chinese are most inveterate gamblers and I have noticed small boys gambling at stalls where nuts, oranges, or other fruits are sold. In the streets and squares one often sees groups of four or five Chinese squatting, who are engaged in playing cards and dominoes, whilst other stand and look on at the game. - Card-playing in the Streets
- Cricket-fighting
We went on for some distance beyond the north gate of the city to witness cricket-fighting, a favourite pastime of the Chinese. As we approached the field where it took place, we saw crowds of men standing about some sheds erected on the spot. Most of the company were of the lowest order, but there were some respectable men, including Tartar officers and mandarins. Much money is lost in this form of gambling. On entering the largest shed, we saw a raised platform on which some men sat behind a counter, who were employed in weighing the crickets, in weighing the dollars, in recording the bets, in receiving the money laid by both sides on each match, and in paying the winner of each particular fight, after deducting a percentage for the expenses of the building. In this shed numbers of men were collected, each holding in his hand a little round earthenware basin covered with a cloth. These basins contained the fighting-crickets. The matches are played for large as well as small sums of money, and many hundred dollars changed hands during the short time we were present. - Girls Carrying Children on their backs
On the way to our boat from the parade ground, I was much amused, as I always am, by watching several very young girls and boys with babies strapped on to their backs. When these young people are engaged in play, they seem utterly to forget their living burdens, and one fears for the safety of the poor little babies. At times, when we pass through villages, the boys and girls, in their fright at the sudden appearance of Europeans, take to their heels and scamper away, and then the babies on their backs appear to be in imminent danger. - Sampans
- Unmarried Village Girl
- A Dragon Boat
- A Street Restaurant
We ordered mountain chairs, and at eleven o'clock we started. These chairs are very light, and as we had four coolies each, we went at a very good pace. We passed quickly through the city, and on reaching the I-ling-16u, which is in the northern suburb, our chair-coolies stopped at a street restaurant to regale themselves before going into the open country. Henry and I got out of our chairs and sat under a wide-spreading banyan tree. We were much amused by watching many wayfarers, who were passing from or into the city, refreshing themselves at the street restaurant, either with tea and cakes, or boiled rice and fried fish, or with soups, fruits, etc. - Al Fresco Shaving
As we came to the monastery this morning, I was very much amused at seeing, close by the gates of the monastery, barbers plying their trade al fresco. Two men were being operated upon; one was being shaved, the other having his tail plaited. It is a common sight in the streets of the city to see barbers shaving their customers in the open air. - Beaver
Beaver - Nutria
I believe this is a Nutria, an animal like a beaver but with a rat like tail - Prehistoric Whistle
A musical relic has recently been exhumed in the department of Dordogne in France, which was constructed in an age when the fauna of France included the reindeer, the rhinoceros, and the mammoth, the hyæna, the bear, and the cave-lion. It is a small bone somewhat less than two inches in length, in which is a hole, evidently bored by means of one of the little flint knives which men used before acquaintance with the employment of metal for tools and weapons. Many of these flints were found in the same place with the bones. Only about half a dozen of the bones, of which a considerable number have been exhumed, possess the artificial hole. - Ancient Egyptian flute concert
A flute-concert is painted on one of the tombs in the pyramids of Gizeh and dates, according to Lepsius, from an age earlier than B.C. 2000. Eight musicians are performing on flutes. Three of them, one behind the other, are kneeling and holding their flutes in exactly the same manner. Facing these are three others, in a precisely similar position. A seventh is sitting on the ground to the left of the six, 13with his back turned towards them, but also in the act of blowing his flute, like the others. An eighth is standing at the right side of the group with his face turned towards them, holding his flute before him with both hands, as if he were going to put it to his mouth, or had just left off playing. He is clothed, while the others have only a narrow girdle round their loins. Perhaps he is the director of this singular band, or the solo performer who is waiting for the termination of the tutti before renewing his part of the performance. The division of the players into two sets, facing each other, suggests the possibility that the instruments were classed somewhat like the first and second violins, or the flauto primo and flauto secondo of our orchestras. The occasional employment of the interval of the third, or the fifth, as accompaniment to the melody, is not unusual even with nations less advanced in music than were the ancient Egyptians. - Grecian harp and lyre
The representation of Polyhymnia with a harp, depicted on a splendid Greek vase now in the Munich museum, may be noted as an exceptional instance. This valuable relic dates from the time of Alexander the great. The instrument resembles in construction as well as in shape the Assyrian harp, and has thirteen strings. Polyhymnia is touching them with both hands, using the right hand for the treble and the left for the bass. She is seated, holding the instrument in her lap. Even the little tuning-pegs, which in number are not in accordance with the strings, are placed on the sound-board at the upper part of the frame, exactly as on the Assyrian harp. If then we have here the Greek harp, it was more likely an importation from Asia than from Egypt. In short, as far as can be ascertained, the most complete of the Greek instruments appear to be of Asiatic origin. - Greek Flutes
The flute, aulos, of which there were many varieties, was a highly popular instrument, and differed in construction from the flutes and pipes of the ancient Egyptians. Instead of being blown through a hole at the side near the top it was held like a flageolet, and a vibrating reed was inserted into the mouth-piece, so that it might be more properly described as a kind of oboe or clarionet. The Greeks were accustomed to designate by the name of aulos all wind instruments of the flute and oboe kind, some of which were constructed like the flageolet or like our antiquated flûte à bec. - Greek Lyres
The Greeks had lyres of various kinds, more or less differing in construction, form, and size, and distinguished by different names; such as lyra, 30kithara, chelys, phorminx, etc. Lyra appears to have implied instruments of this class in general, and also the lyre with a body oval at the base and held upon the lap or in the arms of the performer; while the kithara had a square base and was held against the breast. These distinctions have, however, not been satisfactorily ascertained. The chelys was a small lyre with the body made of the shell of a tortoise, or of wood in imitation of the tortoise. The phorminx was a large lyre; and, like the kithara, was used at an early period singly, for accompanying recitations. It is recorded that the kithara was employed for solo performances as early as B.C. 700. - A diaulos
The single flute was called monaulos, and the double one diaulos. A diaulos, which was found in a tomb at Athens, is in the British museum. The wood of which it is made seems to be cedar, and the tubes are fifteen inches in length. Each tube has a separate mouth-piece and six finger-holes, five of which are at the upper side and one is underneath. - Etruscan cornu
The flutes of the Etruscans were not unfrequently made of ivory; those used in religious sacrifices were of box-wood, of a species of the lotus, of ass’ bone, bronze and silver. A bronze flute, somewhat resembling our flageolet, has been found in a tomb; likewise a huge trumpet of bronze. An Etruscan cornu is deposited in the British museum, and measures about four feet in length. - Hydraulic Organ
To the Etruscans is also attributed by some the invention of the hydraulic organ. The Greeks possessed a somewhat similar contrivance which they called hydraulos, i.e. water-flute, and which probably was identical with the organum hydraulicum of the Romans. The instrument ought more properly to be regarded as a pneumatic organ, for the sound was produced by the current of air through the pipes; the water applied serving merely to give the necessary pressure to the bellows and to regulate their action. The pipes were probably caused to sound by means of stops, perhaps resembling those on our organ, which were drawn out or pushed in. The construction was evidently but a primitive contrivance, contained in a case which could be carried by one or two persons and which was placed on a table. The highest degree of perfection which the hydraulic organ obtained with the ancients is perhaps shown in a representation on a coin of the emperor Nero, in the British museum. Only ten pipes are given to it and there is no indication of any key board, which would probably have been shown had it existed. The man standing at the side and holding a laurel leaf in his hand is surmised to represent a victor in the exhibitions of the circus or the amphitheatre. The hydraulic organ probably was played on such occasions; and the medal containing an impression of it may have been bestowed upon the victor. - Roman trumpets
The tuba was a straight trumpet. Both the cornu and the tuba were employed in war to convey signals. The same was the case with the buccina,—originally perhaps a conch shell, and afterwards a simple horn of an animal,—and the lituus, which was bent at the broad end but otherwise straight. - Roman girl and tibia
The British museum contains a mosaic figure of a Roman girl playing the tibia, which is stated to have been disinterred in the year 1823 on the Via Appia. Here the holmos or mouth-piece, somewhat resembling the reed of our oboe, is distinctly shown. The finger-holes, probably four, are not indicated, although they undoubtedly existed on the instrument. - Chinese pien-tchung
The hiuen-tchung was, according to popular tradition, included with the antique instruments at the time of Confucius, and came into popular use during the Han dynasty (from B.C. 200 until A.D. 200). It was of a peculiar oval shape and had nearly the same quaint ornamentation as the té-tchung; this consisted of symbolical figures, in four divisions, each containing nine mammals. The mouth was crescent-shaped. Every figure had a deep meaning referring to the seasons and to the mysteries of the Buddhist religion. The largest hiuen-tchung was about twenty inches in length; and, like the té-tchung, was sounded by means of a small wooden mallet with an oval knob. None of the bells of this description had a clapper. It would, however, appear that the Chinese had at an early period some kind of bell provided with a wooden tongue: this was used for military purposes as well as for calling the people together when an imperial messenger promulgated his sovereign’s commands. An expression of Confucius is recorded to the effect that he wished to be “A wooden-tongued bell of Heaven,” i.e. a herald of heaven to proclaim the divine purposes to the multitude. - Chines King
According to their records, the Chinese possessed their much-esteemed king 2200 years before our Christian era, and employed it for accompanying songs of praise. It was regarded as a sacred instrument. During religious observances at the solemn moment when the king was sounded sticks of incense were burnt. It was likewise played before the emperor early in the morning when he awoke. The Chinese have long since constructed various kinds of the king, one of which is here engraved, by using different species of stones. Their most famous stone selected for this purpose is called yu. It is not only very sonorous but also beautiful in appearance. The yu is found in mountain streams and crevices of rocks. The largest specimens found measure from two to three feet in diameter, but of this size examples rarely occur. The yu is very hard and heavy. Some European mineralogists, to whom the missionaries transmitted specimens for examination, pronounce it to be a species of agate. It is found of different colours, and the Chinese appear to have preferred in different centuries particular colours for the king. - Chinese cheng
Another curious wind-instrument of high antiquity, the cheng, is still in use. Formerly it had either 13, 19, or 24 tubes, placed in a calabash; and a long curved tube served as a mouth-piece. In olden time it was called yu. - Chinese hiuen-tchung
The ou, likewise an ancient Chinese instrument of percussion and still in use, is made of wood in the shape of a crouching tiger. It is hollow, and along its back are about twenty small pieces of metal, pointed, and in appearance not unlike the teeth of a saw. The performer strikes them with a sort of plectrum resembling a brush, or with a small stick called tchen. Occasionally the ou is made with pieces of metal shaped like reeds. - Chinese kin-kou
The kin-kou (engraved), a large drum fixed on a pedestal which raises it above six feet from the ground, is embellished with symbolical designs. A similar drum on which natural phenomena are depicted is called lei-kou; and another of the kind, with figures of certain birds and beasts which are regarded as symbols of long life, is called ling-kou, and also lou-kou. - Chinese ou
The ancient ou was constructed with only six tones which were attuned thus—f, g, a, c, d, f. The instrument appears to have become deteriorated in the course of time; for, although it has gradually acquired as many as twenty-seven pieces of metal, it evidently serves at the present day more for the production of rhythmical noise than for the execution of any melody. The modern ou is made of a species of wood called kieou or tsieou: and the tiger rests generally on a hollow wooden pedestal about three feet six inches long, which serves as a sound-board. - Hindustan, vina
The vina is undoubtedly of high antiquity. It has seven wire strings, and movable frets which are generally fastened with wax. Two hollowed gourds, often tastefully ornamented, are affixed to it for the purpose of increasing the sonorousness. There are several kinds of the vina in different districts; but that represented in the illustration is regarded as the oldest. The performer shown is Jeewan Shah, a celebrated virtuoso on the vina, who lived about a hundred years ago. The Hindus divided their musical scale into several intervals smaller than our modern semitones. They adopted twenty-two intervals called sruti in the compass of an octave, which may therefore be compared to our chromatic intervals. As the frets of the vina are movable the performer can easily regulate them according to the scale, or mode, which he requires for his music. - Turkish harp
An interesting representation of a Turkish woman playing the harp sketched from life by Melchior Lorich in the seventeenth century, probably exhibits an old Persian chang; for the Turks derived their music principally from Persia. Here we have an introduction into Europe of the oriental frame without a front pillar. - Persian dulcimer
The engraving, taken from a Persian painting at Teheran, represents an old Persian santir, the prototype of our dulcimer, mounted with wire strings and played upon with two slightly curved sticks. - The rebab
Unfortunately we possess no exact descriptions of the Persian and Arabian instruments between the tenth and fourteenth centuries, otherwise we should probably have earlier accounts of some instrument of the violin kind in Persia. Ash-shakandi, who lived in Spain about A.D. 1200, mentions the rebab, which may have been in use for centuries without having been thought worthy of notice on account of its rudeness. Persian writers of the fourteenth century speak of two instruments of the violin class, viz., the rebab and the kemangeh. As regards the kemangeh, the Arabs themselves assert that they obtained it from Persia, and their statement appears all the more worthy of belief from the fact that both names, rebab and kemangeh, are originally Persian. We engrave the rebab from an example at South Kensington. - Aztec whistles
The Mexicans possessed a small whistle formed of baked clay, a considerable number of which have been found. Some specimens are singularly grotesque in shape, representing caricatures of the human face and figure, birds, beasts, and flowers. Some were provided at the top with a finger-hole which, when closed, altered the pitch of the sound, so that two different tones were producible on the instrument. Others had a little ball of baked clay lying loose inside the air-chamber. When the instrument was blown the current of air set the ball in a vibrating motion, thereby causing a shrill and whirring sound. - Antique pipe from central America
Rather more complete than the above specimens are some of the whistles and small pipes which have been found in graves of the Indians of Chiriqui in central America. The pipe or whistle which is represented in the accompanying engraving appears, to judge from the somewhat obscure description transmitted to us, to possess about half a dozen tones. It is of pottery, painted in red and black on a cream-coloured ground, and in length about five inches. - Pipes of the Aztecs
Among the instruments of this kind from central America the most complete have four finger-holes. By means of three holes, four sounds (including the sound which is produced when none of the holes are closed) can be emitted: the fourth finger-hole, when closed, has the effect of lowering the pitch a semitone. By a particular process two or three lower notes are obtainable. - Divider
Divider - Divider
Divider - A Mandarin of Distinction
The dress of a Chinese is suited to the gravity of his demeanour. It consists, in general, of a long veil: extending to the ankle: the sleeves are wide at the shoulder, are gradually narrower at the wrist, and are rounded off in the form of a horse-shoe, covering the whole hand when it is not lifted up. No man of `rank` is allowed to appear in public without boots which have no heels, and are made of satin, silk, or calico. In full dress, he wears a long silk gown, generally of a blue colour and heavily embroidered; over this is placed a surcoat of silk, which reaches to the hand, and descends below the knee. From his neck is suspended a string of costly coral beads. His cap is edged with satin, velvet, or fur, and on the crown is a red ball with a peacock’s feather hanging from it. These are badges of distinction conferred by the emperor. The embroidered bird upon the breast is worn only by mandarins high in civil `rank`, while the military mandarins are distinguished by an embroidered dragon. All colours are not suffered to be worn indiscriminately. The emperor, and the princes of the blood only, are allowed to wear yellow; although violet colour is sometimes chosen by mandarins of `rank` on days of ceremony. - A Watchman
At the approach of night the gates of the cities in China, and the barricades at the end of each street, are carefully shut. During the night no persons of credit are seen in the streets, which abound with watchmen, who strike upon a piece of bamboo in their left hand, to denote the time and to mark their own vigilance. Those whom they meet in their walk are questioned, and if the reply be satisfactory, they are permitted to pass through a wicket in the barricade. The watchmen carry lanterns, upon which are written their names and the district: to which they belong. In the very hot months, all the lower classes of Chinese have their feet and legs bare. - A Woman making stockings
The men’s stockings are made of stuff, stitched and lined with cotton, with a line of gold thread sewed along the top. These stockings are somewhat mishapen, but are very warm.—There is an engaging modesty in the Chinese habit which adorns every class in life. The dress of the women is fastened close round the throat, their sleeves conceal their hands, and they wear long drawers reaching to their ankles. Those who can afford it, purchase ear-rings of gold, and large armlets of the same metal.—The hair of the Chinese is univerfally black. The women comb it up very nicely, and braid or coil it on the head with much neatness : sometimes it is fastened with a gold bodkin or two, and generally ornamented with natural or artificial flowers, disposed according to the fancy of the wearer. The young and unmarried are required by custom to wear their hair combed over their foreheads, whilst the eyebrows of both are trimmed into a mere pencil line. None but the lowest orders of Chinese women are indulged with the natural use of their feet. The parents or nurses of a female infant of superior condition do not neglect to roll the toes under the feet, the great one excepted; and by being confined thus, they are rendered incapable of ever recovering their natural shape and position. The motive for this singular distortion is not acknowledged by any of the natives, neither is it easy to be surmised. If the custom proceeded from a notion of rendering the women more usefully domestic, the purpose is in a great measure defeated, since they are by this practice deprived of that active power which is necessary for the performance os domestic duties. If it be from a distrust of their fidelity, it is remarkable that no such custom prevails amongst the Turks, or other Asiatics, who are equally jealous of their women. It seems probable that, either from habit or prejudice, they attach ideas of vulgarity and disgust to this part os the human frame. The Chinese ladies are ridiculed by the European nations on account of this deformity, which is the result os fashion only, whilst they do not consider that, unsightly as it may be, it is perfectly consistent with those peculiar principles of modesty and decorum which the Chinese profess. - Girl playing with a kitten
Girl playing with a kitten