- Title frame
Title frame - Master of the Year 1446. Christ Nailed to the Cross
Size of the original engraving, 4⅛ × 3¼ inches In the Royal Print Room, Berlin Chief among the engravers who show most clearly the influence of the Master of the Playing Cards is the Master of the Year 1446, so named from the date which appears in the Flagellation. His prints present a more or less primitive appearance, and were it not for this date, one might be tempted, on internal evidence, to assign them to an earlier period. In the Passion series, in particular, many of the figures are more gnome-like than human. Such creatures as the man blowing a horn, in Christ Nailed to the Cross, and the man pulling upon a rope, in the same print, recall to our minds, by an association of ideas, the old German fairy tales. - Master of the Playing Cards. Man of Sorrows
To his [Master of the Playing Cards.] latest and most mature period must be assigned the Man of Sorrows—in some ways his finest, and certainly his most moving, plate. Not only has he differentiated between the textures of the linen loin-cloth and the coarser material of the cloak; but the column, the cross with its beautiful and truthful indication of the grain of the wood, and the ground itself, all are treated with a knowledge and a sensitiveness that is surprising. The engraver’s greatest triumph, however, is in the figure of Christ. There is a feeling for form and structure, sadly lacking in the work of his successors, and his suggestion of the strained and pulsing veins, which throb through the Redeemer’s tortured limbs, is of a compelling truth. - Master of the Playing Cards. St. George
Size of the original engraving, 5⅞ × 5¼ inches In the Royal Print Room, Dresden The technical method of the Master of the Playing Cards is that of a painter rather than of a goldsmith. There is practically no cross-hatching, and the effect is produced by a series of delicate lines, mostly vertical, laid close together. His plates are unsigned and undated, so that we can only approximate the period of his activity. That he preceded, by at least ten years, the earliest dated engraving, the Flagellation, by the Master of 1446, may safely be assumed, since in the manuscript copy of Conrad von Würzburg’s “The Trojan War,” transcribed in 1441 by Heinrich von Steinfurt (an ecclesiastic of Osnabrück), there are pen drawings of figures wearing costumes which correspond exactly with those in prints by the Master of the Playing Cards in his middle period. The Master of the Playing Cards is, therefore, the first bright morning star of engraving. From him there flows a stream of influence affecting substantially all of the German masters until the time of Martin Schongauer, some of whose earlier plates show unmistakable traces of an acquaintanceship with his work. St. George and the Dragon is in his early manner. Here are plainly to be seen the characteristics of this first period—the broken, stratified rocks, the isolated and conventionalized plants, and the peculiar drawing of the horse, especially its slanting and half-human eyes. The Playing Cards, from which he takes his name, may safely be assigned to his middle period. - Master of the Amsterdam Cabinet. Two Lovers
MASTER OF THE AMSTERDAM CABINET. TWO LOVERS Size of the original engraving, 6½ × 4⅛ inches In the Ducal Collection, Coburg In agreeable contrast is the dry-point of Two Lovers—a little masterpiece—one of his most charming designs. “The sweet shyness of the maiden, the tender glances of the lover and the soft pressure of their hands are rendered with an inimitable grace, and the work is altogether of such exceptional quality that we may count this delightful picture as one of the rarest gems of German engraving in the fifteenth century.” - The Horse
- The Calf
- The Cow
- Milking the cow
Girl milking a cow - How the calf was fed
- Feeding the horse
- Feeding the cow
- A mischevous goat
- GGS
- SK or KS
- SK or KS
- KS
KS - Euclid Avenue, Cleveland, Ohio
The Opera House, a new and handsome building, is on Euclid avenue. There are, besides, an Academy of Music and the Globe Theatre and several minor theatres. The business portion of Euclid avenue extends from the Park to Erie street, beyond which it is lined with handsome residences, elegant cottages and superb villas, the grounds around each being more and more extensive as it approaches the country. It is one of the finest avenues in the world, and is not less than ten miles in length, embracing during its course several suburbs which a generation since were remote from the city, and are now considerably surprised to find themselves brought so near it. Euclid avenue crosses the other streets diagonally, and was evidently one of the original roads leading into the city before it attained its present dimensions. The majority of the streets are parallel with the lake front, which pursues a course from the northeast to the southwest. But Euclid avenue runs directly eastward for about three miles, to Doane's Corners, one of the historic spots in the neighborhood of Cleveland, and then turns to the northeast, following nearly parallel to the course of the lake. Prospect street runs parallel to Euclid avenue, and is only second to it in the beauty and elegance of its residences. St. Clair street is also a favorite suburban avenue, extending parallel to the lake, a little distance from it, far out into the country, and containing many handsome residences. - Arbalest
- Arbalester
- Leathern Apron
Blacksmith wearing a leathern apron - Apron
- Anelaces
Anelace (Also in French, alenas, alinlaz, analasse, anlace.) A broad knife or dagger worn at the girdle. It was a well known weapon in he thirteenth century. - Brass to a merchant
- Canon with Aumuse
Amess, Ammis, Aumuses (Latin, almecia, almucium) A canonical vestment lined with fur, that served to cover the head and shoulders, perfectly distinct from the amice. Also a cowl or capuchon worn by the laity of both sexes. - Young lady
- Young woman
- Young woman
- Yes or No
- Young lady
- Young lady
- Young lady
- Young lady
- Young lady
- Young lady with hands up
- Young lady
- Young lady
- Young woman
- Cupid whispering in young lady's ear