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- A type of extemporised motor ambulance favoured by the French and Belgians
- A Turkish Pirate Ship of 1579
Observe the sharp ram, the tower-like forecastle, and the curiously perched cabin aft. Also the tail-like ornaments at the stern, possibly reminiscent of the sterns of the old "Dragon-ships" and "Long Serpents". The big and somewhat triangular openings are probably gun-ports, but no guns are visible. - A tragic moment for Smyth
A tragic moment for Smyth (who married for a home) Mrs. S. (who has the money) objects to the size of his tailor’s bill. - A Switchback
Another American invention is the switchback. By this plan the length of line required to ease the gradient is obtained by running backward and forward in a zigzag course, instead of going straight up the mountain. As a full stop has to be made at the end of every piece of line, there is no danger of the train running away from its brakes. This device was first used among the hills of Pennsylvania over forty years ago, to lower coal cars down into the Nesquehoning Valley. It was afterwards used on the Callao, Lima, and Oroya Railroad in Peru, by American engineers, with extraordinary daring and skill. It was employed to carry the temporary tracks of the Cascade Division of the Northern Pacific Railroad over the "Stampede" Pass, with grades of 297 feet per mile, while a tunnel 9,850 feet long was being driven through the mountains. - A Sudden Emergency
- A strong and healthy boy has the ball at his feet
- A Street in Yedo
A Street in Yedo (From a picture by Settan, 1783–1843) - A Story from the Front
- A store of crossbow bolts, shafts and heads
The crossbowman is aiming at a target to the left of the picture. From a catalogue of the Arsenal of the Emperor Maximilian I. (6. 1459, d. 1519). - A Spanish Penitent of the Sixteenth Century
- A Spanish Noblewoman of the Fifteenth Century
- A Spanish Nobleman of the Fifteenth Century
- A Spanish Merchant, Fifteenth Century
- A Spanish King of the Fifteenth Century
- A Spanish Gentlewoman of the Sixteenth Century
- A Spanish Gentleman, time of Philip II
- A Spanish Gentleman, early Sixteenth Century
- A Spanish Flagellant
- A Spanish Cavalier of the Sixteenth Century
- A Spanish Captain, Time of Philip II
- A Spanish Captain of the Sixteenth Century
- A Spanish Captain
- A Spaniard of the Seventeenth Century
- A Son of Pan
“A Son of Pan,” by William Padgett. Example of outline drawing, put in solidly with a brush. If this had been done with pencil or autographic chalk, much of the feeling and expression of the original would have been lost. The drawing has suffered slightly in reproduction, where (as in the shadows on the neck and hands) the lines were pale in the original. Size of drawing 11½ × 6½ in. Zinc process. - A Solemn Fast and Repentance of the People
Neh. 9:1,2 - A skylight and the Kitchen-God
Single burglars usually come in by the skylight, closed at night by a small sliding-door, which does duty as chimney in the kitchen, or crawl under the floor which is some two feet from the ground, by tearing away the boarding under the verandah and come up by carefully removing the loose plank of the floor, under which fuel is kept in the kitchen. If the burglars are in a gang, they naturally come in more boldly than these kitchen sneaks. Once inside, the thief has the run of the house as all the rooms communicate by sliding-doors and are never locked, and the whole household is at his mercy. Since, then, houses are so easy of entry, it might be supposed that burglaries are very frequent in Tokyo; that such is not the case is probably due to the somewhat primitive methods pursued by these gentry and to the effective detective system of the police authorities. - A six-matted room and verandah
A Japanese room is measured, not by feet and inches, but by the number of mats it contains. A mat consists of a straw mattress, about an inch and a half thick, with a covering of fine matting which is sewn on at the edges of the mattress either by itself or with a border, usually dark-blue and an inch wide, of coarse hempen cloth. It is six feet long by three wide; this measure is not always exact, but may vary by an inch or more in either direction. When a house is newly built, the mat-maker comes to make mats to fit the rooms in it. But in spite of the variation, the size of a room is always given in the number of mats it holds, so that we never know the exact dimensions of a room. The smallest room has two mats, that is, is about six feet square; the next smallest is three-matted, or three yards by two. Four-matted rooms are sometimes to be found; but such rooms are unshapely, being four yards long by two wide. A room with four and a half mats is three yards square and has the half mat, which is a yard square, in the centre. The next size is six-matted, or four yards by three and is followed by the eight-matted, or four yards square. - A Sitting-room
The sitting-room has little furniture. An indispensable article in it is the brazier, usually oblong, with a set of three small drawers one under another at the side and two others side by side under the copper tray filled with ashes, on which charcoal is burnt inside an iron or clay trivet. On this trivet is set a kettle of iron or copper. The iron kettle is made of thick cast-iron and kept on the trivet so as always to have hot water ready for tea-making: and the copper kettle is used when we wish to boil water quickly. Beside the brazier is a small shelf or cabinet for tea-things. Behind the brazier is a cushion where the wife sits; this is her usual post. There is also a cushion on the other side or the brazier, where the husband or other members of the house may sit. - A shrine of the Rice-God
Rice is the staple food of the Japanese; and no other food-stuff stands so high in popular esteem, or has a tutelary deity of its own. This rice-god has more shrines than any other deity, for he is worshipped everywhere, in town and village, and often a small shrine, no bigger than a hut, peeps amid a lonely cluster of trees surrounded on all sides by rice-paddies, its latticed door covered from top to bottom with the ex-votos of the simple peasant folk. - A shop in Tokyo
There are no streets in Tokyo which are known as fashionable afternoon resorts, because the shops are so constructed that one cannot stop before them without being accosted by the squatting salesmen. Only in a few main streets are there regular rows of shops with show-windows against which one could press one’s nose to look at the wares exhibited or peer beyond at the shop-girls at the counter; but then business is not done in Japan over the counter, nor do shop-girls hide their charms behind a window, for the shops are open to the street and the show-girls, or “signboard-girls” as we call them, squat at the edge visible to all passers-by and are as distinctive a feature of the shop as the signboard itself. The goods are exhibited on the floor in glass cases or in piles, a custom which is not commendable when pastry or confectionery is on sale, for standing as it does on the south-eastern end of the great plain of Musashino, Tokyo is a very windy city, and the thick clouds of fine dust raised by the wind on fair days cover every article exposed and penetrate through the joints of glass cases, so that in Tokyo a man who is fond of confectionery must expect to eat his pound of dirt not within a lifetime, but often in a few weeks. If one stops for a moment to look at the wares, he is bidden at once to sit on the floor and examine other articles which would be brought out for his inspection, whereupon he has either to accept the invitation or move on. One seldom cares therefore to loiter in the street. The only shops that are often crowded by loiterers are the booksellers’ and cheap-picture dealers’. - A ship of war, wth crossbowmen
Of this plate Valturius quaintly writes: ' When everything is cleared for navigation before the charge is made upon the enemy, it is well that those who are about to engage the foe should first practise in port, and grow accustomed to turn the tiller in calm water, to get ready the iron grapples and hooked poles, and sharpen the axes and scythes at their ends. The soldiers should learn to stand firm upon the decks and keep their footing, so that what they learn in sham fight they may not shrink from in real action. - A Sharp Curve—Manhattan Elevated Railway, 110th Street, New York
Equally valuable improvements were made in cars, both for passengers and freight. Instead of the four-wheeled English car, which on a rough track dances along on three wheels, we owe to Ross Winans, of Baltimore, the application of a pair of four-wheeled swivelling trucks, one under each end of the car, thus enabling it to accommodate itself to the inequalities of a rough track and to follow its locomotive around the sharpest curves. There are, on our main lines, curves of less than 300 feet radius, while, on the Manhattan Elevated, the largest passenger traffic in the world is conducted around curves of less than 100 feet radius. There are few curves of less than 1,000 feet radius on European railways. - A servant with tucked sleeves
The ordinary kimono is inconvenient for active work. Those whose work requires a free movement of the limbs, commonly discard the long sleeves and the skirt. Coolies and artisans wear tight-sleeved coats and tight-fitting drawers of cotton. Women, too, who labour outdoors have on similar clothes sometimes; but more frequently they wear tight-sleeved kimono, the skirts of which are tucked up to the knees to facilitate their walking. Women, however, who live indoors but have to move about at their household work, do not care to put on tight-sleeved kimono, and they tie up their sleeves with a cloth cord when they are actively employed. They are often to be seen dusting and sweeping the rooms with their sleeves tied up and a towel on their heads. The kimono appears indeed to be capable of little improvement. - A Select Committee
- A Sea-fight in Tudor Times
Which particular battle this picture is supposed to represent cannot be stated, since old Holinshed uses it over and over again for almost every naval engagement to which he makes reference right back as far as the Conquest. That cannon were not then in existence does not appear to trouble him at all. But we may take it as fairly representative of an action at sea in the times in which the historian lived and wrote. - A Sea-Fight
(From the 'Life of Richard Beauchamp, Earl of Warwick'; drawn by John Rous about 1485.) - A Scout looking out ready to help others
- A Saving Grace
“Louise, I really cannot permit you to read novels on Sunday.” “But, Grandmamma, this novel is all right; it tells about a girl who was engaged to three Episcopal clergymen, all at once.” - A Royal Attendant, Spain
- A roofed and a pair gate
Gates, too, vary in size and form. The most modest are no more than low wicker-gates which can be jumped over and offer no bar to intrusion. Others are of the same make, but stand higher so that the interior can be seen only through cracks. But the most common consist of two square posts with hinged doors which meet in the middle and are kept shut by a cross-bar passing through clamps on them. These gates may be of the cheapest kind of wood, such as cryptomeria, or may be massive and of hard wood. Another common kind has a roof over it with a single door which is hinged on one post and fastened on to the other and provided with a small sliding-door for daily use. The larger pair gates have also small side-doors for use at night when they are themselves shut. - A quiet dinner with Dr. Bottles - after which he reads aloud miss Babbles’s latest work
- A Puritan Dame
- A perfect slide
A perfect slide - A One-hand catch
A One-hand catch - A Norman Ship
(From the Bayeux Tapestry.) - A New Zealander
A New Zealander with moko (tattoo) - A necklace
- A Neat Meeting
- A Muffish Meeting
- A Monk Copying Manuscript Books
- A Mohammedan Chief
- A mischevous goat
- A miraculous draught of fishes
- A miracle of Remigius 2
- A miracle of Remigius
- A Merchant Ship
- A meal-tray
The breakfast is, then, very simple. Sometimes the family take their meals together at a large low table which is set before them at each repast; but often a small tray, about a foot square and standing six inches or more high, is placed before each member. In the left corner of the tray near the person before whom it is set, is a small china bowl of rice, while on the right is a wooden bowl of miso-soup, A tiny plate of pickled vegetables occupies the middle or the farther left corner, while any extra plate would fill the remaining corner. This plate also holds something very simple, such as plums preserved in red perilla leaves, boiled kidney bean, pickled scallions, minute fish or shrimps boiled down dry in soy sauce, a pat of baked miso, or shavings of dried bonito boiled in a mixture of soy and mirin. The chopsticks are laid between the rim of the tray and the bowls of rice and soup. They vary in length, those for women being shorter than those for men but longer than children’s; their length may, however, be put at between eight and ten inches. - A meal
People pride themselves upon their quickness at meals, especially at breakfast, as it implies that they have no time to dawdle over their food, which is taken solely to ward off hunger and maintain their health and strength. But it must be admitted that indigestion not unfrequently follows these hurried meals, to which children are early taught to habituate themselves by parental instruction and by a proverb which puts quickness at meals as an accomplishment on a level with swiftness of foot. When the breakfast is over, the trays, plates, and other utensils are taken back into the kitchen, washed, and put away until they are needed for the next meal. The wooden tub of rice is put into a straw casing in winter to prevent its getting cold and hard and on a stand in a cool, breezy place in summer to keep it from sweating. - A Matchlock and a Firelock, or Fusil (17th Century)
The constantly smouldering match of the former rendered it a very dangerous weapon in the neighbourhood of cannon; the "snaphaunce", or "fusil", was fitted with a "fire-lock", in which a spark was struck from a flint. - A Man of Granada