- Henry the Eighth
- Cardinal Wolsey
- Queen Anne Boleyn
- Sir Thomas Wyatt
- Cromwell, Earl of Essex
- Tokens sent to Wolsey by the King and Anne Boleyn
- Dukes of Suffolk and Norfolk receive the great seal from Wolsey
- Cardinal Wolsey in progress
- Charles Dickens Chair and desk
Charles Dickens Chair and desk - Ships the British navy might have had
Ships the British navy might have had! Freaks of marine architecture that have not been officially adopted. We illustrate here some curious designs for war-ships by various inventors. No. 1 is McDougal's Armoured Whale-back, with conning-towers, a design of 1892 for converting whalebacks into war-vessels. No. 2 is an American design of 1892, Commodore Folger's Dynamite Ram, cigar-shaped, with two guns throwing masses of dynamite or aerial torpedoes. No. 3 is a design by the Earl of Mayo in 1894 and called "Aries the Ram," built round an immense beam of steel terminating in a sharp point, No. 4 is Gathmann's boat for a heavy gun forward, designed in 1900. She was to be of great speed, and the forward gun was to throw 600 lb. of gun-cotton at the rate of 2000 feet per second. A formidable Armada this, had it been practicable. - First Fight of SPRING and LANGAN, on Worcester Race-Course, January 24th, 1824
First Fight of SPRING and LANGAN, on Worcester Race-Course, January 24th, 1824 - Her Majesty Queen Victoria
The first portrait painted after her Coronation. The history as to how the first portrait of Her Majesty after her coronation was obtained is also full of interest. The Queen is represented in all her youthful beauty in the Royal box at Drury Lane Theatre, and it is the work of E. T. Parris, a fashionable portrait painter of those days. Parris was totally ignorant of the fact that when he agreed with Mr. Henry Graves, the well-known publisher, to paint "the portrait of a lady for fifty guineas," he would have to localise himself amongst the musical instruments of the orchestra of the National Theatre, and handle his pencil in the immediate neighbourhood of the big drum. Neither was he made aware as to the identity of his subject until the eventful night arrived. Bunn was the manager of Drury Lane at the time, and he flatly refused to accommodate Mr. Graves with two seats in the orchestra. But the solution of the difficulty was easy. Bunn was indebted to Grieve, the scenic artist, for a thousand pounds. Grieve was persuaded to threaten to issue a writ for the money unless the "order for two" was forthcoming. Bunn succumbed, and the publisher triumphed; and whilst the young Queen watched the performance, she was innocently sitting for her picture to Parris and Mr. Graves, who were cornered in the orchestra. Parris afterwards shut himself up in his studio, and never left it until he had finished his work. The price agreed upon was doubled, and the Queen signified her approval of the tact employed by purchasing a considerable number of the engravings. - Queen Victoria - 1891
Queen Victoria - 1891 - Queen Victoria - Age 8
Queen Victoria - Age 8 - Queen Victoria - Age 18
Queen Victoria - Age 18 - The Queen's first baby
Drawn and Etched by Her Majesty the Queen. [Queen Victoria]