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- Augustus
Augustus When Augustus entered upon secure possession of absolute power, the Roman Empire included the fairest and most famous lands on the face of the globe and all the civilised peoples of the ancient world found a place in its ample bosom. - Roman Trophies
- Roman Trophies
- Vivid scenes of ancient life depicted by contemporary artists
The walls of the tombs in Egypt form a great picture gallery of the vanished life of that country and are invaluable to the historian. This fragment from the British Museum shows how vividly the domestic figures were realised. - Egyptian
- Roman London
- Amphoræ, Rhytons, etc.
(British Museum) The modern jars in any of the wine districts of Italy, such as Asti Montepulciano or Montefiascone, thin earthen two-handled vessels holding some twenty quarts, are almost identical with the ancient amphoræ. Suetonius speaks of a candidate for the quæstorship who drank the contents of a whole amphora at a dinner given by Tiberius. This amphora was probably of a smaller size. - Etruscan mode of drinking
The mode of drinking from the ἀμφορεύς, bottle or amphora, and from a wine skin, is taken from a painting on an Etruscan vase. - Egyptian wine
The Egyptians had several kinds of wine, even as early as the fourth dynasty (above 6000 years ago, according to Mariette), when four kinds of wine, at least, were known. Pliny and Horace say that the wine of Mareotis was most esteemed. - Hittite God
That they [the Hittites] thoroughly cherished wine may be seen from the accompanying illustration, which represents one of their deities, who appears to be a compound of Bacchus and Ceres, and aptly illustrative of the two good things of those countries, corn and wine, which, with the olive and honey, made an earthly Paradise for the inhabitants thereof. It shows how much they appreciated wine, when they deified it. - Hittite ladies drinking
The Hittites had been a powerful and civilized nation when the Jews were in an exceedingly primitive condition, and Abraham found them the rightful possessors of Hebron, in Southern Palestine (Gen. xxiii.), and so far recognised their rights to the soil, as to purchase from them the Cave of Machpelah for “four hundred shekels of silver, current money with the merchant.” Their power afterwards waned, as they had left Hebron and taken to the mountains, as was reported by the spies sent by Moses, four hundred years afterwards (Num. xiii.), but they have left behind them carvings which throw some light upon their social customs. For instance, here is one of two ladies partaking of a social glass together. Unfortunately, we do not know at present the true meaning of their inscriptions, for scholars are yet at variance as to the translation of them. - Filling the wine cups at a feast
We see the process of filling the wine cups at a feast. They were dipped into a large vase instead of being filled from a small vessel. Nor were they alone contented with grape wine, they had palm wine, wine made from dates, and beer even as the Egyptians had. - Assyrian Wine List
“This list of wines is found engraved upon a terra-cotta tablet from the palace of Assur-ba-ni-pal, the Sardanapalus of the Greeks, and evidently represents the wines supplied to the royal table. It reads: Col. I. Wine of the Land of Izalli. Wine, the Drink of the King (Daniel i. 5). Wine of the Nazahrie. Wine of Ra-h-ū (Shepherds’ Wine). Wine of Khabaru. Col. II. Wine of Khilbunn or Helbon. Wine of Arnabani (North Syria). Wine of Sibzu (Sweet Wine). Wine of Sa-ta-ba-bi-ru-ri (which I think means Wines which from the Vineyard come not). Wine of Kharrubi (Wine of the Carrob or Locust bean).” - Assyrians drinking
The Assyrians, who `rank` next in antiquity to the Egyptians, were no shunners of wine; they could drink sociably, and hob-nob together, as we see by the illustration. - Egyptians’ Early Use of Wine
- A Viking Double-prowed 'Long Serpent' or 'Dragon-ship'
Observe the well-supported outer stem, the Dragon Head, the embroidered sail decorated with a variation of the "Swastika" design, which was much used by the Vikings on arms and ornaments; the vane at the masthead, the "shield-row" protecting the rowers, and the steersman guiding the ship by means of her "steer-board". - A 'Dragon' Figure-head
There was a law that ships must not approach the land with their figure-heads in position with "gaping heads and yawning snouts." - The Lighthouse of the Harbor of Alexandria in the Hellenistic Age
Alexander died in Babylon when not quite thirty-three years old. In actual and immediate achievement he surpassed perhaps every other man who has ever lived. He founded an empire which he himself had conceived and developed, which covered nearly all the then known world, and which, though it was composed mainly of barbarous and semi-barbarous people, was dominated by Greek thought. It is true that the empire fell apart almost immediately after Alexander died. But it did not fall into anarchy, or revert to its previous state: it was divided into four parts, each of which was distinct, self-governing and well organized. The two larger parts, the kingdom of the Seleucidæ, which occupied approximately the territory of Persia, and the kingdom of the Ptolomies, or Egypt, continued as torch-bearers to civilization for many centuries thereafter. Of the two, the former was the larger and was probably the better, from an administrative point of view; but Egypt represented the finer civilization; for Alexandria, with its library and its wonderful museum, became the seat of learning and the resort of the scholars of the world, and the centre of the Hellenistic civilization that followed that of Greece. - Two Cretan Vases
We must realize, of course, that the Greeks were much indebted to the Ægeans; for discoveries about the shores and islands of the Ægean Sea show that long before the advent of the Greeks they used tools and weapons of rough and then of polished stone, and later of copper and tin and bronze; that they lived on farms and in villages and cities, and were governed by monarchs who dwelt in palaces adorned with paintings and fine carvings, and filled with court gentlemen and ladies who wore jewelry and fine clothing. Exquisite pottery was used, decorated with taste and skill; ivory was carved and gems were engraved, and articles were made of silver and bronze and gold. As early as the sixth century B. C., the Greeks made things more beautiful than had ever been made before. One almost feels like saying that the Greeks invented beauty. Such a declaration would be absurd of course: but it seems to be a fact that the Greeks had a conception of beauty that was wholly original with them, and that was not only finer than that which any other people had ever had before, but finer than any other people have had since. - Assyrians Flaying Prisoners Alive
The Assyrians used these inventions in their wars against the contiguous nations of the East, and with their aid achieved the mastery, and unified the Orient. That the Assyrian rule was harsh and cruel should not be denied; but, on the principle that any kind of government is better than no government, it cannot reasonably be supposed that the central and efficient administration of Assyria was not better than the condition of continual petty wars and quarrels that had existed among the numerous tribes and nations, with their enormous possibilities for suffering of all kinds. - The Pyramids of Gizeh
- Villa of an Egyptian Noble
The Egyptians excelled in architecture, and the greatest of their buildings were the pyramids. As to whether or not there was much invention devoted to those works, it is virtually impossible now to know. The probability seems to be that they could not have been produced without the promptings of the inventor, but that the progress was a slow and gradual march. It seems that there was a long series of many small inventions that made short steps, and not a few basic inventions that proceeded by great leaps. - King Narmer
Among the most ancient representations of Egyptian costume which are known to us is that of the figure of the pre-dynastic King Narmer (3407 B.C.). In the figure he is seen wearing the tall white crown of Upper Egypt (the " Het "), also a plain corselet held in place by one brace, and a short plain kilt with a belt from which ornamental pendants hang down in front. Each pendant has at the top a representation of the goddess Hathor's head, and this is shewn at the side of the figure to a larger scale. At the back of the belt is fastened the ceremonial animal's tail which persists as a part of the kings of Egypt until the end of their history. On the chin of Narmer we see the ceremonial artificial beard of a king, which is fastened by straps to his crown. The figure of this king is taken from that very ancient fragment decorated with figures in relief and called " The Palette of Narmer," a memorial tablet shewing the king in battle. The beards of gods, kings and noblemen were each different in shape, each symbolic of their wearers. - Atys - the Phrygian shepherd
- Asiatic Monarch
- Phrygian helmets, bow, bipennis, quiver, tunic, axe and javelin
- Sarmatian - Vesta - Paris
- Later Costume of Ethiopian Nobles
- Ethiopian Noble Lady
- Sewn Sleeveless Kalasiris
Sewn Sleeveless Kalasiris - Egyptian king
Egyptian king - Egyptian Queen
Egyptian queen - Egyptian Female Costume
Egyptian Female Costume - An Egyptian Stamp for impressing Bricks
In old Egypt, bricks were impressed by the same method of stamping [as the Assyrians], but not to such an extent as they were in old Assyria. . The cuts annexed represent the face and back of an old Egyptian stamp discovered in a tomb of Thebes. The stamp is five inches long, two and one-quarter inches broad, and half an inch thick, and is fitted to an arched handle. The characters are engraved below the surface of the wood, so that an impression taken from the stamp on the clay would show the engraved characters in relief. The inscription on the stamp has been translated, Amenoph, beloved of truth. Amenoph is supposed, by some authorities, to have been the king of Egypt at the period of the exodus of the Israelites. The characters on the Egyptian and Babylonian bricks are much more neatly executed than would seem necessary for inscriptions on so common a material as clay. - Egyptian Ships in the time of Hatasu
The legal position which Hatasu occupied during the sixteen years that followed the death of Thothmes II. was probably that of regent for Thothmes III., his (and her) younger brother; but practically she was full sovereign of Egypt. It was now that she formed her grand schemes of foreign commerce, and had them carried out by her officers. First of all, she caused to be built, in some harbour on the western coast of the Red Sea, a fleet of ships, certainly not fewer than five, each constructed so as to be propelled both by oars and sails, and each capable of accommodating some sixty or seventy passengers. Of these thirty were the rowers, whose long sweeps were to plough the waves, and bring the vessels into port, whether the wind were favourable or no; some ten or twelve formed the crew; and the remainder consisted of men-at-arms, whose services, it was felt, might be required, if the native tribes were not sufficiently impressed with the advantages of commercial dealings. - Head of Hatasu
Hasheps, or Hatasu, was the daughter of the great warrior king, Thothmes the First, and, according to some, was, during his later years, associated with him in the government. An inscription is quoted in which he assigns to her her throne-name of Ra-ma-ka, and calls her "Queen of the South and of the North," But it was not till after the death of her father that she came prominently forward, and assumed a position not previously held by any female in Egypt, unless it were Net-akret (Nitocris). Her father had left behind him two sons, as well as a daughter; and the elder of these, according to Egyptian law, succeeded him. He reigned as Thothmes-nefer-shau, and is known to moderns as Thothmes the Second. He was, however, a mere youth, of a weak and amiable temper; while Hatasu, his senior by some years, was a woman of great energy and of a masculine mind, clever, enterprizing, vindictive, and unscrupulous. The contrast of their portrait busts is remarkable, and gives a fair indication of the character of each of them. Thothmes has the appearance of a soft and yielding boy: he has a languishing eye, a short upper lip, a sensuous mouth and chin. Hatasu looks the Amazon: she holds her head erect, has a bold aquiline nose, a firmly-set mouth, and a chin that projects considerably, giving her an indescribable air of vigour and resolution. The effect is increased, no doubt, by her having attached to it the male appendage of an artificial beard; but even apart from this, her face would be a strong one, expressive of firmness, pride, and decision. It is thought that she contracted a marriage with her brother, such unions being admissible by the Egyptian marriage law, and not infrequent among the Pharaohs, whether of the earlier or the later dynasties. In any case, it is certain that she took the direction of affairs under his reign, reducing him to a cipher, and making her influence paramount in every department of the government. - Head of Thothmes II
Hasheps, or Hatasu, was the daughter of the great warrior king, Thothmes the First, and, according to some, was, during his later years, associated with him in the government. Her father had left behind him two sons, as well as a daughter; and the elder of these, according to Egyptian law, succeeded him. He reigned as Thothmes-nefer-shau, and is known to moderns as Thothmes the Second. He was, however, a mere youth, of a weak and amiable temper; while Hatasu, his senior by some years, was a woman of great energy and of a masculine mind, clever, enterprizing, vindictive, and unscrupulous. The contrast of their portrait busts is remarkable, and gives a fair indication of the character of each of them. Thothmes has the appearance of a soft and yielding boy: he has a languishing eye, a short upper lip, a sensuous mouth and chin. Hatasu looks the Amazon: she holds her head erect, has a bold aquiline nose, a firmly-set mouth, and a chin that projects considerably, giving her an indescribable air of vigour and resolution. The effect is increased, no doubt, by her having attached to it the male appendage of an artificial beard; but even apart from this, her face would be a strong one, expressive of firmness, pride, and decision. It is thought that she contracted a marriage with her brother, such unions being admissible by the Egyptian marriage law, and not infrequent among the Pharaohs, whether of the earlier or the later dynasties. In any case, it is certain that she took the direction of affairs under his reign, reducing him to a cipher, and making her influence paramount in every department of the government. - Bust of Thothmes I, the first great Egyptian Conqueror
Thothmes I. was the grandson of the Aahmes who drove out the Hyksôs. He had thus hereditary claims to valour and military distinction. The Ethiopian blood which flowed in his veins through his grandmother, Nefertari-Aahmes, may have given him an additional touch of audacity, and certainly showed itself in his countenance, where the short depressed nose and the unduly thick lips are of the Cushite rather than of the Egyptian type. His father, Amen-hotep I., was a somewhat undistinguished prince; so that here, as so often, where superior talent runs in a family, it seems to have skipped a generation, and to have leapt from the grand-sire to the grandson. - Head of Nefertari-Aahmes
Aahmes, in contracting his marriage with the Ethiopian princess, to whom he gave the name of Nefertari-Aahmes—or "the good companion of Aahmes"—was, we may be tolerably sure, bent on obtaining a contingent of those stalwart troops whose modern representatives are either the Blacks of the Soudan or the Gallas of the highlands of Abyssinia. - Gallery in the Great Pyramid
The Great Gallery is also of curious construction. Extending for a distance of one hundred and fifty feet, and rising at an angle of 26° 18', it has a width of five feet at the base and a height of above thirty feet. The side walls are formed of seven layers of stone, each projecting a few inches over that below it. The gallery thus gradually contracts towards the top, which has a width of four feet only, and is covered in with stones that reach across it, and rest on the walls at either side. The exact object of so lofty a gallery has not been ascertained; but it must have helped to keep the air of the interior pure and sweet, by increasing the space through which it had to circulate. - Tablet at Sneferu at Wady-Magharah
The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions. - Figure of Bes
Bes seems also to have been a divinity of the same class {Evil Gods]. He was represented as a hideous dwarf, with large outstanding ears, bald, or with a plume of feathers on his head, and with a lion-skin down his back, often carrying in his two hands two knives. - Figures of Taourt
It was a peculiar feature of the Egyptian religion, that it contained distinctively evil and malignant gods. Set was not, originally, such a deity; but he became such in course of time, and was to the later Egyptians the very principle of evil—Evil personified. Another evil deity was Taour or Taourt, who is represented as a hippopotamus standing on its hind-legs, with the skin and tail of a crocodile dependent down its back, and a knife or a pair of shears in one hand. - Great Hall of Columns at Karnak (Restored)
The greatest of all Seti's works was his pillared hall at Karnak, the most splendid single chamber that has ever been built by any architect, and, even in its ruins, one of the grandest sights that the world contains. Seti's hall is three hundred and thirty feet long, by one hundred and seventy feet broad, having thus an internal area of fifty-six thousand square feet, and covers, together with its walls and pylons, an area of eighty-eight thousand such feet, or a larger space than that covered by the Dom of Cologne, the largest of all the cathedrals north of the Alps. It was supported by one hundred and sixty-four massive stone columns, which were divided into three groups—twelve central ones, each sixty-six feet high and thirty-three feet in circumference, formed the main avenue down its midst; while on either side, two groups of sixty-one columns, each forty-two feet high and twenty-seven round, supported the huge wings of the chamber, arranged in seven rows of seven each, and two rows of six. The whole was roofed over with solid blocks of stone, the lighting being, as in the far smaller hall of Thothmes III., by means of a clerestory. - Head of Neco
Neco, the son of Psamatik I., from the moment that he ascended the throne, resolved to make the bold stroke for empire from which his father had held back. Regarding his mercenary army as a sufficient land force, he concentrated his energies on the enlargement and improvement of his navy, which was weak in numbers and of antiquated construction. Naval architecture had recently made great strides, first by the inventiveness of the Phœnicians, who introduced the bireme, and then by the skill of the Greeks, who, improving on the hint furnished them, constructed the trireme. Neco, by the help of Greek artificers, built two fleets, both composed of triremes, one in the ports which opened on the Red Sea, the other in those upon the Mediterranean. He then, with the object of uniting the two fleets into one, when occasion should require, made an attempt to re-open the canal between the Nile and the Red Sea, which had been originally constructed by Seti I. and Ramesses II., but had been allowed to fall into disrepair. The Nile mud and the desert sand had combined to silt it up. - Greek Dancing Girl
Their education inculcated the practice of immorality. All ideas of modesty were by a deliberate public training obliterated from their minds. Scourged with the whip when young, taught to wrestle, box, and race naked before assemblages of men, their wantonness and licentiousness passed every bound. Marriage, indeed, was an institution of the state; but no man could call his wife his own. - Binding and pulling grain in the Egypt of the pharaohs
Binding and pulling grain in the Egypt of the pharaohs - Raft bouyed by inflated skins (modern)
- Women’s Head-dress
Women’s Head-dress - Vase-painting—Ionic Dress
Vase-painting—Ionic Dress - Vase-painting—Dress with two Overfold
Vase-painting—Dress with two Overfold - Vase-painting
Vase-painting - Vase-painting in the Polygnotan Style
Vase-painting in the Polygnotan Style - Vase-painting from Lucania
Vase-painting from Lucania - Vase-painting by Hieron
Vase-painting by Hieron - Vase-painting by Falerii
Vase-painting by Falerii - Vase-painting by Euxitheos
Vase-painting by Euxitheos - Vase-painting by Euphronios
Vase-painting by Euphronios - Vase-painting by Brygos
Vase-painting by Brygos - The Doric Himation
The Doric Himation