- Fish
Fish. Oldtown Ruin. Diam. 9″ One of the bowls from the Oldtown ruin has two fishes depicted on opposite sides of the inner surface. These fishes resemble trout and are of different colors, black and reddish brown figures painted on a white ground. They are represented as hanging from two parallel lines surrounding the rim of the bowl. These fishes are so well drawn that there is no doubt what animal was intended to be here represented. - She dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloes
We made another crossing the next morning to fetch over the last of the meat we had staged. We returned about noon. The first woman to climb the bank under our camp was Scar’s wife, Blossom. She dropped her pack and came running back, her hands at each side of her head with two fingers crooked, like horns, the sign for buffaloes. - The day was windy and cold, and the bull skin kept the chill air from me and my babe
My husband had spread a heavy bull-skin robe over the travois basket and set me on it, with another skin folded under me for a cushion. Through holes in the edge of the bull skin Son-of-a-Star passed a lariat; and when I was seated, with my baby in my arms and my robe belted snugly about us, my husband drew the lariat, drawing the bull skin about my knees and ankles. The day was windy and cold, and the bull skin kept the chill air from me and my babe. - On his back I saw a handsome otter-skin quiver, full of arrows
We were off the next morning before the sun was up. I walked with my mothers and the other women. The men went a little ahead, armed, some with guns, others with bows. Sacred-Red-Eagle-Wing walked behind the men. On his back I saw a handsome otter-skin quiver, full of arrows. I felt safer to see those arrows. Enemies might be lurking anywhere in the woods, ready to capture us or take our scalps. We Indian women dared not go far into the woods without men to protect us. - Frog
Frog. Diameter 10 inches. Osborn Ruin On another bowl there is depicted a frog very like that last mentioned. The frog being an amphibian was undoubtedly greatly reverenced by the ancient people of the Mimbres Valley. - At this hour, fires burned before most of the tepees
“At this hour fires burned before most of the tepees.” In fall or winter the fire was within the tepee, under the smoke hole. - Turtle, I think, was the last woman in the tribe to use an old-fashioned, bone-bladed hoe
Turtle was old-fashioned in her ways and did not take kindly to iron tools. “I am an Indian,” she would say, “I use the ways my fathers used.” Instead of grubbing out weeds and bushes, she pried them from the ground with a wooden digging stick. I think she was as skillful with this as were my mothers with their hoes of iron. - Ahole
The mask of Ahole, who flogs the children during the Powamû celebration, has the same two lateral horns and representation of radiating feathers over the crown of the head, but instead of sagittaform marks on the forehead there is a colored band from ear to ear across the face. - Snake Head-Ornament came close to her and fired off his gun
Not long after, he was made a member of the Black Mouth society. It happened one day, that the women were building a fence of logs, set upright around the village, to defend it from enemies. Snake Head-Ornament, as a member of the Black Mouths, was one of the men overseeing the work. This woman, his clan cousin, was slow at her task; and, to make her move more briskly, Snake Head-Ornament came close to her and fired off his gun just past her knees. She screamed, but seeing it was Snake Head-Ornament who had shot, and knowing he was her clan cousin, she did not get angry. Nevertheless, she did not forget! And, years after, she had revenge in her taunting song. - She laid the grass thickly over the sides of the little tepee
She laid the grass thickly over the sides of the little tepee, leaning chunks of wood against it to keep the grass in place. She left a door, or opening, in front; and she even bound a stick over the door, like the pole over the door of a hunting lodge. Last, she put grass inside, as if for a bed. - I would lay the puppy between my shoulders and draw my tiny robe up over his back
It must have been a funny sight to see me take my puppy out for a walk. Stooping, I would lay the puppy between my shoulders and draw my tiny robe up over his back; and I would walk off proud as any Indian mother of her new babe. The old mother dog would creep half out of her kennel, following me with her gentle eyes. I was careful not to go out of her sight. - Common Hopi sun symbol
- Turtle’s hoe was made of the shoulder bone of a buffalo set in a light-wood handle, the blade firmly bound in place with thong
Turtle’s hoe was made of the shoulder bone of a buffalo set in a light-wood handle, the blade firmly bound in place with thongs. The handle was rather short, and so my grandmother stooped as she worked among her corn hills. She used to keep the hoe under her bed. As I grew a bit older my playmates and I thought it a curious old tool, and sometimes we tried to take it out and look at it, when Turtle would cry, “Nah, nah! Go away! Let that hoe alone; you will break it!” - Kwátaka, bird with sun symbolism
- Winter clothing
- In daytime lookouts were always on the roofs of some of the lodges
n daytime lookouts were always on the roofs of some of the lodges watching if enemies or buffaloes were about. If they saw our hunters, with meat, coming home over the prairie, these lookouts would cry out, “Hey-da-ey!”[12] And the dogs, knowing what the cry meant, would 75join in with “wu-u-u-u." They liked fresh buffalo meat no less than the Indians. - Buffalo heart skin bucket
But there were few pails of metal in my tribe, when I was a little girl. I used to fetch water in a clay pot, sometimes in a buffalo-paunch lining skewered on a stick; but my commonest bucket was of a buffalo heart skin. When my father killed a buffalo, he took out the heart skin, and filled it with grass until it dried. This he gave to Red Blossom, who sewed a little stick on each side of the mouth; and bound a short stick and sinews between them for handle. Such a bucket held about three pints. It was a frail looking vessel, but lasted a long time. - I loaded my boats on the travois of two of my dogs
It took four ponies to pack the dried meat and skins my husband and I had brought. I loaded my boats on the travois of two of my dogs. - Screen of the Alósaka
The symbolism of Alósaka is shown in a rude drawing made by one of the Hopi to illustrate a legend, and it represents this being on a rainbow, on which he is said to have traveled from his home in the San Francisco mountains to meet an Awatobi maid. Above the figure of Alósaka is represented the sun, which is drawn also on the screen above described, for Alósaka is intimately associated with the sun, as are all the other horned gods, Ahole, Calako, Tuñwup, and the Natackas. - When my sack was filled, I tied it shut and slung it on my back by my packing strap
When my sack was filled, I tied it shut and slung it on my back by my packing strap. Sacred-Red-Eagle-Wing laid some sweet smelling leaves under the sack that the juices from the ripe berries might not ooze through and stain my dress. - At one side of our field Turtle had made a booth
At one side of our field Turtle had made a booth, diamond willows thrust in the ground in a circle, with leafy tops bent over and tied together. In this booth, my sister and I, with our mothers and old Turtle, cooked our meals. We started a fire in the booth as soon as we got to the field, and ate our breakfast often at sunrise. Our food we had brought with us, usually buffalo meat, fresh or dried. Fresh meat we laid on the coals to broil. Dried meat we thrust on a stick and held over the fire to toast. - ver all she bound a wildcat skin, drawing the upper edge over the baby’s head, like a hood.
Having bathed my baby, Red Blossom bound him in his wrapping skins. She had a square piece of tent cover, folded and sewed along the edges of one end into a kind of sack. Into this she slipped my baby, with his feet against the sewed end. About his little body she packed cattail down. On a piece of rawhide, she put some clean sand, which she heated by rolling over it a red-hot stone. She packed this sand under my baby’s feet; and, lest it prove too hot, she slipped a piece of soft buckskin under them. Over all she bound a wildcat skin, drawing the upper edge over the baby’s head, like a hood. The hot sand was to keep my baby warm. This and the cattail down we placed in a baby’s wrappings only in winter, when on a journey. - My grandmother Turtle made scarecrows to frighten away the birds
My grandmother Turtle made scarecrows to frighten away the birds. In the middle of the field she drove two sticks for legs, and bound two other sticks to them for arms; on the top, she fastened a ball of cast-away skins for a head. She belted an old robe about the figure to make it look like a man. Such a scarecrow looked wicked! Indeed I was almost afraid of it myself. But the bad crows, seeing the scarecrow never moved from its place, soon lost their fear, and came back. - Old Turtle made me a dolly of deer skin stuffed with antelope hair
Old Turtle made me a dolly of deer skin stuffed with antelope hair. She sewed on two white bone beads for eyes. I bit off one of these bone beads, to see if it was good to eat, I suppose. For some days my dolly was one-eyed, until my grandmother sewed on a beautiful new eye, a blue glass bead she had gotten of a trader. I thought this much better, for now my dolly had one blue eye and one white one. - Corn Husking
And then came the corn harvest, busiest and happiest time of all the year. It was hard work gathering and husking the corn, but what fun we had! For days we girls thought of nothing but the fine dresses we should wear at the husking. While the ears were ripening my sister and I went every morning to sit on our watch stage110 and sing to the corn. One evening we brought home with us a basketful of the green ears and were husking them by the fire. My father gathered up the husks and took them out of the lodge. I wondered why he did so. - Then he arose and took my baby tenderly in his arms
My little son was ten days old the second day we were in winter camp; and, though we were hardly well settled, I found time to make ready his naming feast. Having filled a wooden bowl with venison and boiled dried green 170corn—foods I knew well were to his liking—I set it before Small Ankle. “I want you to name your grandson,” I said to him. Small Ankle ate, thinking the while what name he should give my son. Then he arose and took my baby tenderly in his arms, saying, “I name him Tsakahka Sukkee, Good Bird.” Small Ankle’s gods were birds, and the name was a kind of prayer that they remember and help my little son. - We were clad warmly, for the weather was chill. All had robes
We were clad warmly, for the weather was chill. All had robes. I wore a dress of two deer skins sewed edge to edge; the hind legs, thus sewed, made the sleeves for my arms. I had made my husband a fine skin shirt, embroidered with beads. Over it he drew his robe, fur side in. He spread his feet apart, drew the robe high enough to cover his head, and folded it, tail end first, over his right side; then the head end over his left, and belted the robe in place. He spread his feet apart when belting, to give the robe a loose skirt for walking in. - She had a little fawn-skin bag, worked with red porcupine quills
- Serpent
Serpent. Osborn Ruin. (Osborn collection. E. D. O. Jr. del.) The head shown has a horn curving forward almost identical with that on the head of a horned serpent on a bowl from Casas Grandes in the Heye collection. Its gracefully sinuous body is decorated with alternating geometric figures, curves and 45straight lines.49 Accompanying the figure of a serpent is a well-drawn picture of a turtle which is decorated on the carapace with a rectangular area on which is painted a geometric figure recalling that on bodies of birds and some other animals. - A Buffalo Hunt
My young husband and I lived together but a few years. He died of lung sickness; and, after I had mourned a year, I married Son-of-a-Star, a Mandan. My family wished me to marry again; for, while an Indian woman could raise corn for herself and family, she could not hunt to get meat and skins. Son-of-a-Star was a kind man, and my father liked him. “He is brave, daughter,” Small Ankle said. “He wears two eagle feathers, for he has twice struck an enemy, and he has danced the death dance. Three times he has shot an arrow through a buffalo.” It was not easy to shoot an arrow through a buffalo and few of my tribe had done so. Spring had come, and in the moon of Breaking Ice we returned to Like-a-Fishhook village. Our hunters had not killed many deer the winter before, and our stores of corn were getting low. As ours was a large family, Son-of-a-Star thought he would join a hunting party that was going up the river for buffaloes. “Even if we do not find much game,” he said, “we shall kill enough for ourselves. We younger men should not be eating the corn and beans that old men and children need.” - “Big-head,” a solar god
- Hidatsas Earth lodge
I was born in an earth lodge by the mouth of the Knife river, in what is now North Dakota, three years after the smallpox winter. The Mandans and my tribe, the Hidatsas, had come years before from the Heart river; and they had built the Five Villages, as we called them, on the banks of the Knife, near the place where it enters the Missouri. - We were fond of squashes and ate many of them
Sometimes we brought a clay cooking pot, and boiled squashes. We were fond of squashes and ate many of them. We sometimes boiled green corn and beans. My sister and I shelled the corn from the cob. We shelled the beans or boiled them in the pod. My grandmother poured the mess in a wooden bowl, and we ate with spoons which she made from squash stems. She would split a stem with her knife and put in a little stick to hold the split open. - Unidentified animal
Unidentified animal. Oldtown Ruin. (Osborn collection.) The presence of only two legs in this figure would seem to indicate that a bird was intended, but no bird has a tail like this figure; and the prehistoric potters of the Mimbres certainly knew how to draw a bird much better than this would imply. The exceptional features of this drawing, doubtless intentional, belong neither to flesh, fish, nor fowl, rendering its identification doubtful. - My mothers dipped each a big horn spoon full of water
My mothers dipped each a big horn spoon full of water, filled her mouth, and, blowing the water over her palms, gave her face a good rubbing. - The hunters came in
The hunters returned before evening. Son-of-a-Star was the first to come in. “I shot two fat cows,” he cried. “I have cut up the meat and put it in a pile, covered with the skins.” He had brought back the choice cuts, however, the tongues, kidneys and hams. We ate the kidneys raw. - They saw two great fires sweeping toward them over the prairie
“The third day after, they saw two great fires sweeping toward them over the prairie. The women cried out with fear. All thought that they should die. “When the fires came near, the people saw that they were the two dogs, Death and Sickness. “‘Do not fear,’ said the dogs. ‘Our hearts are not all evil. True, we will bite you, because you forgot us; but we will also live with you and be your friends. We will carry your burdens; and when we die, you shall eat us.’ - Man with curved stick
One of the most instructive food bowls found at Oldtown, now owned by Mr. Osborn, has on it a picture of two hunters, one on each side of an animal (fig. 15). One of these hunters carries in his hand a stick crooked at the end, its form suggesting a throwing stick. Both hunters have laid aside their quivers, bows, and arrows, which are shown behind them. The picture of an animal between them has been so mutilated by "killing" or breaking the bowl that it is impossible28 to identify it. From the end of this crook to the body of the animal there extend two parallel lines of dots indicating the pathway of a discharged weapon. Near the body of the animal these rows of dots take a new direction, as if the weapon had bounded away or changed its course. The rows of dots are supposed to represent lines of meal by which Pueblos are accustomed to symbolically indicate trails or "roads." - Grasshopper
A figure on a bowl here represented is painted in "black or brown on a background of bluish wash over a yellow color." This bowl is eleven inches in diameter, five inches in depth. The figure is a remarkable one, having features of several animals, but none of these are more pronounced than its insectiform characters, among which may be mentioned the antennæ, three legs on one side (evidently three pairs of legs, for that in the back is simply introduced in violation of perspective), and an extended segmented abdomen attached to the thorax and terminating in a recurved tip. The character of the appendages to the thorax, or the wings, leaves no doubt that a flying animal was intended, and the legs and head being like an orthopterous insect, it may be provisionally identified as a "grasshopper." - Problematic Animal
Problematic Animal Red Decoration Osborn Ruin It is difficult to tell exactly what animal was intended to be represented by that shown. Its head and mouth are not those of any of the horned animals already considered, although it has some anatomical features recalling a mountain sheep. The extension back of the body has a remote likeness to a fish, but may be a bird or simply a conventional design. - Waheenee and Her Husband, Son-of-a-Star
- Frogs and Birds
Frogs and Birds. Black and White Ware. Diameter about 12 inches. Oldtown Ruin - The Hunting Camp
We recrossed the river the next morning and fetched back most of the staged meat and skins, reaching camp again in the early part of the afternoon - Problematical Animal
Problematical Animal (Unidentified animal) Black and White ware 15 by 6 inches Osborn Ruin - The smaller ears we bore to the village in our baskets
We loaded our two pack horses with strings of braided ears, ten strings to a pony. The smaller ears we bore to the village in our baskets, to dry on our corn stage before threshing. - Urn burial
There is considerable evidence of "pottery hunting" by amateurs in the mounds of Oldtown, and it is said that several highly decorated food bowls adorned with zoic figures have been taken from the rooms. It appears that the ancient inhabitants here, as elsewhere, practised house burial and that they deposited their dead in the contracted position, placing bowls over the crania. - My two mothers, I knew, were planning a big feast
My two mothers, I knew, were planning a big feast. “We have much corn to husk,” they said, “and we must have plenty of food, for we do not want our huskers to go away hungry.” - Frog fetish
Frog fetish. Black Mountain Ruin. (Swope collection.) Length 3½″. These idols represent frogs, bears, mountain lions, and other quadrupeds, and have much the same form as those from ancient ruins in Arizona. On the backs of several of these stone idols are incised figures, like arrowheads tied to Zuñi fetishes, or possibly rain-cloud figures. - I put on my copper kettle and made blood pudding
While the two hunters went back for the rest of the meat, I put on my copper kettle and made blood pudding. It was hot and ready to serve by the time they came back. I had stirred the pudding with a green chokecherry stick, giving it a pleasant, cherry flavor. - Our stages were now hung with slices of drying meat
The next day we found to our joy that the wind had shifted to the west. Our stages were now hung with slices of drying meat, and we had built slow fires beneath. An east wind would have carried the smoke toward the herd and stampeded it. - Strikes-Many Woman parched ripe sweet corn, pounded it in a mortar with roast buffalo fats, and kneaded the meal into little balls
My mother’s name was Weahtee. She was one of four sisters, wives of my father; her sisters’ names were Red Blossom, Stalk-of-Corn, and Strikes-Many Woman. I was taught to call all these my mothers. Such was our Indian custom. I do not think my mother’s sisters could have been kinder to me if I had been an own daughter. Meanwhile Strikes-Many Woman or old Turtle had parched some corn in a clay pot, and toasted some buffalo fats on a stick, over the coals. Red Blossom now pounded the parched corn and toasted fats together in the corn mortar, and stirred the pounded mass into the pot with 50the squash and beans. The mess was soon done. Red Blossom dipped it into our bowls with a horn spoon. - Priest smoking
The third human figure, found on a black and white bowl from a Mimbres ruin, is duplicated by another of the same general character depicted on the opposite side of the bowl. These figures are evidently naked men with bands of white across the faces. The eyes are represented in the Egyptian fashion. In one hand each figure holds a tube, evidently a cloud-blower or a pipe, with feathers attached to one extremity, and in the other hand each carries a triangular object resembling a Hopi rattle or tinkler. The posture of these figures suggest sitting or squatting, but the objects in the extended left hand would indicate dancing. The figure is identified as a man performing a ceremonial smoke which accompanies ceremonial rites. - Fetish
Fetish. Byron Ranch. (Swope collection.) Length 6¾″ - A big fire was built
All that night we danced the scalp dance. A big fire was built. Men and women painted their faces black and sang glad songs. Old women cried a-la-la-la-la! Young men danced, yelled and boasted of their deeds. All said that Red Hand was a brave young man and would become a great warrior. - The Lodge - 3
For cover buffalo skins, bound together at the edges, were drawn around the frame in two series, the lower series being laid first. The peak of the pole frame was left uncovered, to let out the smoke. Instead of buffalo skins, gunny sacks may be used, fastened at the edges with safety pins or with wooden skewers; or strips of canvas or carpet may be used. Three or four heavier poles may be laid against the gunny-sack cover to stay it in place. The door may be made of a gunny sack, hung on a short pole. Indians often raised a piece of skin on a forked pole for a shield, to keep the wind from driving the smoke down the smoke hole. Figure shows the finished lodge with gunny-sack cover, door, and wind shield. The last is made of a piece of oil cloth. - Fetish
Fetish. Byron Ranch. (Swope collection.) Length 5¾″. - We made our eleventh camp on the north side of the Missouri
We made our eleventh camp on the north side of the Missouri, a few miles below the mouth of the Yellowstone. Here the Missouri is not very wide, and its sloping banks make a good place for crossing. A low bank of clean, hard sand lay along the water’s edge. We pitched our tents about noon on this sand. There were about a hundred tepees. They stood in rows, like houses, for there was not room on the sand to make a camping circle. - Drying meat
Buffalo-Bird Woman often speaks of dried buffalo meat. If you want to know what it was like, cut a steak into thin pieces, and dry on a stage of green sticks, three feet high. This may be done in the sun; or, a small fire may be made beneath, to smoke as well as dry the meat. - Braided handle
The comparatively large number of vases, food bowls, and other forms of decorated smooth ware in collections from the Mimbres is largely due to their use in mortuary customs, and the fact that almost without exception they were found placed over the skulls of the dead. Although the largest number of vessels are food bowls, there are also cups with twisted handles, vases, dippers, and other ceramic forms found in pueblo ruins. - Cooking Dried Meat
A pail or small bucket will do for kettle. It should be swung from a tripod by stick-and-thong, as in figure. Put in dried meat with enough water to cover, and bring to a boil. The broth may be used as the Indians used it, for a drink.