- A Horse baited with Dogs
A manuscript of the fourteenth century, in the Royal Library, contains the following cruel diversion: horse baiting with dogs - A Fool's Dance.—XIV. Century
The fool's dance, or a dance performed by persons equipped in the dresses appropriated to the fools, is very ancient, and originally, I apprehend, formed a part of the pageant belonging to the festival of fools. This festival was a religious mummery, usually held at Christmas time; and consisted of various ceremonials and mockeries, not only exceedingly ridiculous, but shameful and impious. A vestige of the fool's dance, preserved in a MS. in the Bodleian Library, written and illuminated in the reign of king Edward III. and completed in 1344, is copied below. - A Feat in the XIV. Century
Two boys are depicted holding the hoop, and the third preparing to leap through it, having deposited his cloak upon the ground to receive him. - A Bear standing on his Head
One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes. - Boat Tilting
Here we may also add the boat justs, or tilting upon the water. The representation of a pastime of this kind is given, from a manuscript of the fourteenth century in the Royal Library. The conqueror at these justs was the champion who could dexterously turn aside the blow of his antagonist with his shield, and at the same time strike him with his lance in such a manner as to overthrow him into the river, himself remaining unmoved from his station; and perhaps not a little depended upon the skill of the rowers. When queen Elizabeth visited Sandwich in 1573, she was entertained with a tilting upon the water, "where certain wallounds that could well swym had prepared two boates, and in the middle of each boate was placed a borde, upon which borde there stood a man, and so they met together, with either of them a staff and a shield of wood; and one of them did overthrowe another, at which the queene had good sport." - Anglo-Saxon Gleemen's Bear Dance.—X. Century
One part of the gleeman's profession, as early as the tenth century, was, teaching animals to dance, to tumble, and to put themselves into variety of attitudes, at the command of their masters. This engraving is the copy of a curious though rude delineation, being little more than an outline, which exhibits a specimen of this pastime. The principal joculator appears in the front, holding a knotted switch in one hand, and a line attached to a bear in the other; the animal is lying down in obedience to his command; and behind them are two more figures, the one playing upon two flutes or flageolets, and elevating his left leg while he stands upon his right, supported by a staff that passes under his armpit; the other dancing, in an attitude exceedingly ludicrous. This performance takes place upon an eminence resembling a stage made with earth; and in the original a vast concourse are standing round it in a semicircle as spectators of the sport, but they are so exceedingly ill drawn, and withal so indistinct, that I did not think it worth the pains to copy them. The dancing, if I may so call it, of the flute player, is repeated twice in the same manuscript. - Living Quintain
And again where his opponent is seated in a swing and drawn back by a third person, so that the rope being left at liberty in the swing, the man of course descended with great force, and striking the foot of his antagonist with much violence, no doubt very frequently overthrew him. - Living Quintain
The living quintain, according to the representation just given, is seated upon a stool with three legs without any support behind; and the business, I presume, of the tilter, was to overthrow him; while, on his part, he was to turn the stroke of the pole or lance on one side with his shield, and by doing so with adroitness occasion the fall of his adversary. Something of a similar kind of exercise, though practised in a different way, appears in the engraving, where a man seated, holds up one of his feet, opposed to the foot of another man, who standing upon one leg endeavours to thrust him backwards. - XIV. Century
A man balancing a wheel on his shoulder - Water-Tub Quintain—XIV. Century
Below is a representation from a MS. in the Bodleian Library, dated 1343, of three boys tilting jointly, at a tub full of water, which is to be struck in such a manner as not to throw it over them. I presume they are learners only, and that therefore they are depicted without their clothes; they undressed themselves, I apprehend, in order to save their garments from being wetted in case the attempt should prove unsuccessful. - Two Saxon Archers—VIII. Century
Two Saxon Archers The one accompanied by his dog, is in search of the wild deer; the other has no companion, but is depicted in the act of shooting at a bird; and from the adornment of his girdle, appears to have been no bad marksman. The first represents Esau going to seek venison for his father, and the second, Ishmael, after his expulsion from the house of Abraham, and residing in the desert. - Tutored Bear.—XIV. Century
One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes. - Tutored Bear.—XIV. Century
One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes. - Tumbling.—XIV. Century
This representation of a girl turning over upon her hands, is from a MS. in the Bodleian Library at Oxford. It is not by any means my intention to insinuate, from what has been said, that there were no dances performed by the Saxon gleemen and their assistants, but such as consisted of vaulting and tumbling: on the contrary, I trust it may be proved, that their dances were varied and accommodated to the taste of those for whom the performance was appropriated; being calculated, as occasion required, to excite the admiration and procure the applause of the wealthy or the vulgar. - Tumbling.—XIII. Century
This engraving represents a woman bending herself backwards, from a MS. of the thirteenth century, in the Cotton Library - Trap-Ball.—XIV. Century
Trap-ball, so called from the trap used to elevate the ball when it is to be stricken by the batsman, is anterior to cricket, and probably coeval with most of the early games played with the bat and ball: we trace it as far back as the commencement of the fourteenth century, and a curious specimen of the manner in which it was then played is here presented from a beautiful MS. in the possession of Francis Douce, Esq - Unknown sport
The following engraving from a manuscript book of prayers of the fourteenth century, in the possession of Mr. Douce, represents two men with a pole or headless spear, who grasp it at either end, and are contending which shall dispossess the other of his hold. - Unknown sport
The contest between the two figures, seems to depend upon the breaking of the stick which both of them hold, or is a struggle to overthrow each other. - Ancient sport
The Greeks had a pastime called Hippas, which, we are told, was one person riding upon the shoulders of another, as upon a horse; a sport of this kind was in practice with us at the commencement of the fourteenth century, but generally performed by two competitors who struggled one with the other, and he who pulled his opponent from the shoulders of his carrier was the victor. - Reaper in Gaul (70 AD)
The accompanying cut is a good restoration of the Gallic harvester of Pliny's day. Palladius wrote the De re Rustica in the fourth century A. D. and gives a good description of this contrivance, which was similar to our "heading-machines," having a row of sharp teeth at the front edge, between which the straw passed, the head being torn off at the angle where the teeth met, and falling into the box of the machine. The description of Palladius is as follows: —" In the plains of Gaul, they use this quick way of reaping, and without reapers cut large fields with an ox in one day. For this purpose a machine is made, carried upon two wheels; the square surface has boards erected at the side, which sloping outward, make a wider space above; the board on the fore part is lower than the others; upon it there are a great many small teeth, wide set in a row, answering to the hight of the can of the corn, and turned upward at the ends; on the back part of this machine two short shafts are fixed, like the poles of a litter; to these an ox is yoked with his head to the machine, and the yoke and traces likewise turned the contrary way: he is well trained, and does not go faster than he is driven. When this machine is pushed through the standing corn, all the ears are comprehended by the teeth, and heaped up in the hollow part of it, being cut off from the straw, which is left behind; the driver setting it higher or lower, as he finds it necessary; and thus, by a few goings and returnings, the whole field is reaped. This machine does very well in plain and smooth fields, and in places where there is no necessity for feeding with straw." - Archery
Of physical games archery was the most practised. This was the national physical exercise, one which had helped the English soldiers to gain a great reputation for themselves, as at Agincourt (1415). At York the "butts," where men practised archery, were outside the city walls. - An Abbot
The different kinds of religious men have already been mentioned from archbishops and abbots to the scurrilous impostors who used a religious exterior to rob poor people, at whose expense they lived well a wandering, loose, hypocritical life. In York, there were monks and friars, cathedral, parochial, and chantry priests, and clerks. The monastic life was a recognised profession. - Administering holy communion with the Housel cloth
From a 14th century manuscript - York in the 15th Century
To-day mediæval buildings are to be found all over England. The majority of them are examples of an architecture that has not been surpassed for majesty, beauty, size, and constructional skill. Such buildings, without the help of the literary and other memorials, testify by themselves to the greatness of the Middle Ages. - Cooking with the spit
Rooms were furnished with chairs, tables, benches, chests, bedsteads, and, in some cases, tub-shaped baths. Carpets were to be found only in the houses of the very wealthy. The floors of ordinary houses, like those of churches, were covered with rushes and straw, among which it was the useful custom to scatter fragrant herbs. This rough carpet was pressed by the clogs of working people and the shoes of the fashionable. The spit was a much used cooking utensil. Table-cloths, knives, and spoons were in general use, but not the fork before the fifteenth century. At one time food was manipulated by the fingers. York was advanced in table manners, for it is known that a fork was used in the house of a citizen family here in 1443. The richer members of the middle class owned a large number of silver tankards, goblets, mazer-bowls, salt-cellars and similar utensils and ornaments of silver, for this was a common form in which they held their wealth. - Laplander on Snow-runners
They have caps on their heads, and fishermen and herders may be distinguished by the style of these. Fishermen’s caps are pointed, while those of herders are square. In going out over the snow in winter, Lapps have long, narrow runners of wood fastened to their feet, and carry a pole in their hand. These runners are five feet or more in length, and only a few inches wide, and on them—aided by their poles—the Lapps glide along finely over the hard snow. - Fish-girl of Scheveningen, Holland
The fishing towns of Holland are interesting. Every traveller wants to see Vollendam and Scheveningen and the hamlets on the Island of Marken. The men and women in these towns are kind-hearted, simple people, who are proud of their own village and think their own dress finer than that of other towns. Each of these fishing villages has its characteristic costume. The men of the Island of Marken wear a close-fitting jacket which ends at the waist and great, baggy, knee pants. Marken women wear round, white caps, fitting the head closely, with an open-work border, and a bright waist, with striped sleeves, over the front of which is a square of handsomely embroidered cloth. Little girls all through Holland dress exactly like women. But for her child face you would take the little girl from Scheveningen to be a grown person. She wears a dainty white cap pinned on with two great round-headed pins. Her ample dress quite reaches the ground; her white apron is neatly tied, and her purple shawl, tightly wrapped about her shoulders, is demurely crossed, and the ends are tucked under her apron strings. She wears the common wooden shoes of the country - Boats made from Shoes, Holland
A crowd of boys running in such shoes [wooden] over the hard paved roads makes a great clattering. On Sunday the wooden shoes of men and boys are usually fresh whitened; if their owners enter a house, they leave the shoes outside the door. I am sure you cannot guess what little Dutch boys do with old wooden shoes. They make capital little fishing boats out of them, which they sail on the canal. The real big fishing boats are really shaped very much like shoes too. - Basque Cart
The Basques, especially those living in the mountains, are proud, happy, and independent. They are easily angered and quick to fight. They love their old life and customs and dislike changes. They still use many old-fashioned things such as the clumsy ox-cart, with great, solid wooden wheels and heavy wooden axle. The old dress has disappeared in many places, but is picturesque. Men wear rather loose and baggy trousers, a close-fitting vest, a sort of blouse or jacket that reaches only to the waist, a wide, white collar turned down over the neck of the blouse, and a loose necktie with streaming ends. They wear a loose cap jauntily on the head. Men and women both delight in bright colors. - A Group of Lapps
In the northmost part of the Scandinavian Peninsula and Finland live the Lapps. There are probably not more than ten or twelve thousand, all told. They have had much contact with the Finns, and speak a language related to Finnish. In many customs they resemble them. This is not strange, as the land they live in is much the same. - Outside Morley's
Outside Morley's - Between Times, Leicester Square
Between Times, Leicester Square - On Bond Street
On Bond Street - Man in London
Man in London - Sergeant Charley
...also the recruiting sergeants, among them Sergeant Charley, the best known of all. He has stood at the corner of the National Gallery for many years, and has probably talked more country boys into Her Majesty’s service, consoled more weeping mothers, and cheered more disappointed maidens than any other man in the British army. There is no better place in which Sergeant Charley can operate than Trafalgar Square—or from which the stranger can begin London - Lady
Lady - Hyde Park Corner
Hyde Park Corner - Ladies head
Ladies head - Outside the pit entrance
Nowhere is caste more noticeable than in a London audience. A little board fence divides the ground-floor of a theatre into orchestra stalls and a pit. It would cost you ten shillings less and your social position to sit on the wrong side of this fence. It does not follow that sitting on the right side of it assures your position. But it does give you an uninterrupted view of the stage. No hats are worn, and that alone makes it worth extra charge. There is, in most of the theatres, room for your knees, and in some, additional room for the man who goes out between the acts, and people who arrive after the curtain is up. A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night. At such times the pit is watched most anxiously by the management, as the success of the piece generally depends on their verdict. It has often occurred to me, when I have seen them on a stormy night forming a line on the pavement outside the pit entrance, taking it all seriously enough to stand there for hours before the doors were opened, that by letting them inside the management might improve their spirits, and they in their turn might be more gentle. - A first night
A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night. - Small Wigs and Big Fees
The greatest variety of expressions are to be seen in the audiences that come together at the law courts. There is the never-changing face of the judge, and the ever-changing face of the witness rocking from side to side in his box, and there are the black-robed barristers with small wigs and big fees, and pale law students crowding in at the doors and filling the passage-ways; and in front of the long table that is covered with papers and high hats sit those most interested in what is going on—care-worn parents and women thickly veiled. - Two men talking
Two men talking - In the 'Whispering Gallery'—A Small Loan
In the 'Whispering Gallery'—A Small Loan - At the National Sporting Club
The most interesting place of amusement for men is the National Sporting Club. Every Monday night during the winter the sports of London meet there in the same building that Colonel Newcome and his son once left because they objected to Captain Costigan’s song. The Colonel would be more amused there now, well-trained and scientific boxers from all the world meet in a roped-in square, surrounded by an orderly crowd of stock-brokers, bankers, and miscellaneous sporting characters, who wait for the best man to win. - At the Pavilion
A Music Hall audience is the most demonstrative and amusing. It will applaud the longest, hiss the loudest, and sometimes join in the chorus. From the moment the numbers are posted announcing the next turn, it is easy to tell what the performer’s reception will be. On both sides of the orchestra are bars, and when a London barmaid stops work to listen and laugh you may be sure that the turn is a good one. Last winter they paid Dan Leno this compliment. The air is filled with tobacco-smoke, and the calcium-light, on its way from the gallery to the stage, looks like a sunbeam in a dusty hayloft. - A Sidewalk Artist
In the early part of the day the parks are occupied by very young people; the visitors become older with the day. The nurses and their charges leave, and evening finds an old lady leaning on her husband’s arm, walking slowly along their favorite path, while their carriage follows at a little distance. And as night comes on they roll back into the great city among the never-ceasing tread of feet, past the side-walk artist sitting by his pictures on the pavement, looking anxiously at the passers-by—and the park’s day is done—a curtain of darkness falls on the great stage - Sunday Morning near Stanhope Gate
Sunday is Hyde Park’s day “At Home,” and in the shape of a blue sky she sends her invitation to all London, and her popularity is easily shown by the number and variety of her friends. By long odds the best-looking exhibit is to be seen during church-parade. It extends from Hyde Park Corner to Stanhope Gate, and consists of the well-to-do, most of whom probably first came to the park with their nurses and a little later with their tutors, and they now come grown up and with white hair to pay their respects to the good doctor of their childhood. They form what is distinctly a Sunday gathering, and one as serious as a wedding. Seldom a loud voice is heard. There is a feeling of rest throughout the whole scene, and it is impossible to be there without entering into the spirit of it. - Hamlet
An actor in the park - A Constitutional in the Park
A Constitutional in the Park - In the Row
The old gentleman in the Row undoubtedly first appeared there on Shetland ponies under the watchful eye of the groom. It is not a thing to tire of, and Sunday after Sunday these well-dressed people attend church-parade as seriously as they attend church. - A Park Orator
Separated from these people by another social gulf, and toward Marble Arch, are the unemployed listening to the park actors and park orators. If you are tall enough to look over the heads of an English crowd you will see in some of these `groups` strolling players at work. In the centre of one group a short, red-faced park orator declares that a Prime Minister has robbed him. - Church Parade
By long odds the best-looking exhibit is to be seen during church-parade. It extends from Hyde Park Corner to Stanhope Gate, and consists of the well-to-do. - A Drawing Room
On March 11, 1896, the first Drawing-room of that year was held at Buckingham Palace. Through the courtesy of the Lord Chamberlain I was given the entree to the palace on that day. As a Drawing-room is strictly a feminine affair, it matters very little what a man may think about it, for the line points of social advantages and the costly costumes he seldom understands. Apart from the foreign ambassadors, members of the Cabinet and attendants, men are not wanted and are seldom seen. Women go in hundreds, and sit for hours in carriages, extending in long rows down the Mall, while a crowd of curious idlers stare in at the carriage windows, making audible personal remarks. At two o’clock the palace gates are open, and the waiting continues in the different rooms above stairs. - Waiting
At two o’clock the palace gates are open, and the waiting continues in the different rooms above stairs. - A Barrier
These rooms are divided by barriers, guarded by gentlemen of the household, which prevents over-crowding. It is an extraordinary sight to see room after room filled with nervous young girls and their more composed mothers sitting in the unbecoming light of an afternoon sun, with white plumes in their hair and the family jewels on their necks. With the exception of a now and then whispered conversation, everything is quiet until the barriers leading into the next room are opened; then a rush follows and small pieces of lace, spangles, flowers, and ostrich feathers are left on the floor. Mothers and daughters are separated. After the confusion of finding each other, all is quiet for another thirty minutes, when a rush for a better place in the next room begins. - After Presentation
After Presentation at a drawing-room - Mother and daughter passing by the Yeomen
The bustle and waiting was transferred to the grand hall below, where little olive-skinned Indian ladies of high birth, and famous English beauties whose photographs could be bought on Piccadilly, stood side by side until their carriages stopped the way. Mothers and daughters passed between rows of Yeomen of the Guard to the door, daylight, and the photographers; finally home, where tea is arranged, and friends are gathered to hear about it. - A Gentleman at Arms
A Gentleman at Arms