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- 'Britain's Sure Shield'
- A Bed in the Reign of Henry III
- A Citizen and his wife
Ordinary Civil Costume ; temp Charles I (From Speed's map of 'The Kingdom of England,' 1646.) - A Coach of the Middle of the Seventeenth Century
(From an engraving by John Dunstall.) - A Countryman and Countrywoman
Ordinary Civil Costume ; temp Charles I (From Speed's map of 'The Kingdom of England,' 1646.) - A Gentleman and gentlewoman
Ordinary Civil Costume ; temp Charles I (From Speed's map of 'The Kingdom of England,' 1646.) - A Mediæval Innkeeper
- A Norman Ship
(From the Bayeux Tapestry.) - A Sea-Fight
(From the 'Life of Richard Beauchamp, Earl of Warwick'; drawn by John Rous about 1485.) - A Sixteenth-century Cooperage
- Alehouse
- An Ale-house lattice
- An Ale-house lattice
- An Ale-stake
- An Ancient brewery
- Ancient Alehouse
- Anglo-Saxon Tumblers
- Anglo-Saxons Feasting and Health-Drinking
- Bear-baiting
(From the Luttrell Psalter.) - Brass to Sir John D’Abernon
For the happily increasing class of tourists who are interested in archæology, let it be noted here that the chancel of this church contains the earliest monumental brass in the kingdom, the mail-clad effigy of Sir John D’Abernon, dated 1277. Many of his race, before and after his time, lie here. The life-sized engraved figure of this Sir John, besides being the earliest, is also one of the most beautiful. Clad from head to foot in a complete suit of chain mail,his hands clasped in prayer, heraldic shield on one arm, his pennoned lance under the other, and his great two-handed sword hanging from a broad belt outside the surcoat, this is a majestic figure. His feet rest on a writhing lion, playfully represented by the engraver of the brass as biting the lance-shaft. - brewhouse
- Brother Brushes
First R.A. (who hates to be interrupted in his hobby but is doing his best to be polite).—“Done any work to-day?” Second R.A.—“No, confound it. That stupid ass Brown came to the studio and talked all the afternoon,—couldn’t do a stroke of work. What do you do when some idiot comes and interrupts your work?” First R.A.—“Oh, I go on weeding.” - Brother Brushes
“Do you want a Muddle. Sir.” - Building a Church in the later Style
(From a drawing belonging to the Society of Antiquaries.) - Cakes and Ale.
- Celt
- Celt 2
- Celt Warrior
- Celtic Chieftain in full war-dress
- Celtic implements
Their bronze and iron ornaments and utensils were very artistic, curves and scrolls and intertwined work being the chief characteristics of early Celtic Art. Enamelling in red colours was much used on metal work, and studs of coral and pearls, or some bright pebble, were worked into their breastplates, shields, and helmets. - Celtic warrior in hunting dress
- Celtic women
A torque of gold was worn as a necklace, and bracelets of bronze or gold were worn on the arms. The hair, parted in the middle and flowing over the shoulders, was bound by a circlet of gold and twisted wire. Sometimes a sort of super-tunic, without sleeves and reaching to just below the knees, with a check border, would be worn over the long gwn. It was confined at the waist with a belt, fastened and ornamented with bosses of bronze or gold. Women of less exalted `rank` wore the same style of dress, but of coarser cloth and less elaborately decorated. - Chepe in the Fifteenth Century
The streets and lanes of London within the walls were very nearly the same as they are at present, except for the great thoroughfares constructed within the last thirty years. That is to say, when one entered at Lud Gate and passed through Paul's Churchyard, he found himself in the broad street, the market place of the City, known as Chepe. - Christ's Hospital
- City Gates
Let us examine into the history and the course of the Wall of London, if only for the very remarkable facts that the boundary of the City was determined for fifteen hundred years by the erection of this Wall; that for some purposes the course of the Wall still affects the government of London; and that it was only pulled down bit by bit in the course of the last century. You will see by reference to the map what was the course of the Wall. It began, starting from the east where the White Tower now stands. Part of the foundation of the Tower consists of a bastion of the Roman wall. It followed a line nearly north as far as Aldgate. Then it turned in a N.W. direction just north of Camomile Street and Bevis Marks to Bishopsgate. Thence it ran nearly due W., north of the street called London Wall, turning S. at Monkwell Street. At Aldersgate it turned W. until it reached Newgate, where it turned nearly S. again and so to the river, a little east of the present Blackfriars Bridge. It ran, lastly, along the river bank to join its eastern extremity. The river wall had openings or gates at Dowgate and Bishopsgate,{39} and probably at Queen Hithe. The length of the Wall, without counting the river side, was 2 miles and 608 feet. This formidable Wall was originally about 12 feet thick made of rubble and mortar, the latter very hard, and faced with stone. You may know Roman work by the courses of tiles or bricks. They are arranged in double layers about 2 feet apart. The so-called bricks are not in the least like our bricks, being 6 inches long, 12 inches wide and 1½ inch thick. The Wall was 20 feet high, with towers and bastions at intervals about 50 feet high. At first there was no moat or ditch, and it will be understood that in order to protect the City from an attack of barbarians—Picts or Scots—it was enough to close the gates and to man the towers. The invaders had no ladders. - Civil Costume about 1620
(From a contemporary broadside.) - Coach of the latter half of the Seventeenth Century
(From Loggan's 'Oxonia Illustrata.') - Coaches in the Reign of Elizabeth
Coaches in the Reign of Elizabeth I (From 'Archcæologia.') - Cornelius Caton
- Costers and Cockneys
“Ow I s’y, look at ’er frills. Got ’erself hup like a bloomin’ ’am bone!” - Costers and Cockneys
Fat Party (after a war of words).—“If you come down our court to-morrer and bring a bit o’ fat with yer, I’ll bloomin’ well eat yer.” - Costers and Cockneys
“What price this for Margit.” - Costers and Cockneys
One Easter Monday. ’Arriet (watching the funeral of ’Liza).—“Nice sort of a Bank ’Oliday for ’er, poor dear.” - Costers and Cockneys
“Wot’s th’ row up the Court, Bill?” “Bob Smith was kissing my missus, and ’is old woman caught ’im. - Costers and Cockneys
’Arriet.—“Ow! I s’y, look at ’is bloomin’ ’At.” - Costers and Cockneys
“I ’ear as you don’t walk hout with ’Arry Smith any more.” “No, ’e wanted me to meet ’im incandescently, and I wouldn’t do such a thing, so I chucked ’im.” - Costers and Cockneys
“Ere y’are, Lidies’ Tormentors. ‘Two’ n penny!” - Costume of a Lawyer
(From a broadside, dated 1623.) - Costume of Shepherds in the Twelfth Century
- Cotswold Games
- Crown Point
On the other side of the highway, swinging romantically from the branches of a great Scotch fir, is the picture-sign of the house, bearing the legend, “Sir Jeffrey Amherst, Crown Point,” and showing the half-length portrait of a very determined-looking warrior, clad in armour and apparently deep in thought; while in the background is a broad river, across whose swift current boat-loads of soldiers, in the costume of two centuries ago, are being rowed. - Cup found in the Ruins of Glastonbury Abbey
- Dr. Barnardo’s Home, Stepney Causeway
Those who have read Defoe’s “Colonel Jack” will remember the wonderful picture which he presents of the London street boy. That boy has never ceased to live in and about the streets. Sometimes he sleeps in the single room rented by his father, but the livelong day he spends in the streets; he picks up, literally, his food; he picks it up from the coster’s barrow, from the baker’s counter, from the fishmonger’s stall, when nobody is looking. For such boys as these there are Barnardo’s Homes, where waifs and strays to any number are admitted, brought up, trained to a trade, and then sent out to the colonies. Five thousand children are in these homes. The history is very simple. Dr. Barnardo, a young Irish medical student, came to London with the intention of giving up his own profession and becoming a preacher. He began by preaching in the streets; he picked up a child, wandering, homeless and destitute, and took it home to his lodgings; he found another and another, and took them home too. So it began; the children became too many for his own resources; they still kept dropping in; he took a house for them, and let it be known that he wanted support. The rest was easy. He has always received as much support as he wanted, and he has already trained and sent out to the colonies nearly ten thousand children. - Dress of Ladies of Quality
(From Sandford's 'Coronation Procession of James II.') - Drinking scene
- Drunkards Cloak
- Dusting the letters before firing
The letters are now taken charge of by a girl, who lays them out on a wire tray, the hollow side up, and paints them over with a thin mordant. While they are in this position, and before the mordant dries, they are taken on the gridiron-like tray to a kind of large box, which is full of the powdered enamel, and, holding the tray in her left hand, the girl takes a fine sieve full of the powder and dusts it over the letter, all superfluous powder falling through the open wirework and into the bin again, so that there is absolutely no waste. - Early British Pottery
- Ecclesiastical Costume in the Twelfth Century
- Eleanor Rummyng